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Contenido proporcionado por Aaron D. Casias and Hit Factory. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Aaron D. Casias and Hit Factory o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
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Henry Fool feat. David Weigel *TEASER*

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Contenido proporcionado por Aaron D. Casias and Hit Factory. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Aaron D. Casias and Hit Factory o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.

Get access to this entire episode as well as all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.

Political reporter David Weigel joins to discuss the work of director Hal Hartley and his 1997 feature, 'Henry Fool'. The film, written and directed by one of the great undersung auteurs of American indie cinema during its heyday, blends a sense of sweeping literary scope with the understatedness of an indie comedy to tell a story about creativity, imperfect people, and the commercial forces that antagonize true outsider artistry. Henry Fool would become the first in a trilogy of films by Hartley, continuing with the 2006 riff on espionage thrillers, 'Fay Grim' and concluding in 2014 with the final installment 'Ned Rifle'.

We begin with an examination of Hal Hartley, the unique alchemy of his work, and his debt to the films and filmmakers of the French New Wave. Then, we discuss 'Henry Fool' as a singular work of daring, frequently flying in the face of good taste, probing its audience's sense of morality, and asking us to find connection with a host of broken individuals who don't act in accordance with our own judgements. Finally, we look into the future and discuss Hartley's most recent (successful) attempts to get a new film off the ground and how a 2020's audience might receive a filmmaker who has always bucked commercial trends and swings for populist appeal.

Follow David Weigel on Twitter.

Subscribe to Semafor Newsletters

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Our theme song is "Mirror" by Chris Fish

  continue reading

193 episodios

Artwork

Henry Fool feat. David Weigel *TEASER*

Hit Factory

24 subscribers

published

iconCompartir
 
Manage episode 410243737 series 3313703
Contenido proporcionado por Aaron D. Casias and Hit Factory. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Aaron D. Casias and Hit Factory o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.

Get access to this entire episode as well as all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.

Political reporter David Weigel joins to discuss the work of director Hal Hartley and his 1997 feature, 'Henry Fool'. The film, written and directed by one of the great undersung auteurs of American indie cinema during its heyday, blends a sense of sweeping literary scope with the understatedness of an indie comedy to tell a story about creativity, imperfect people, and the commercial forces that antagonize true outsider artistry. Henry Fool would become the first in a trilogy of films by Hartley, continuing with the 2006 riff on espionage thrillers, 'Fay Grim' and concluding in 2014 with the final installment 'Ned Rifle'.

We begin with an examination of Hal Hartley, the unique alchemy of his work, and his debt to the films and filmmakers of the French New Wave. Then, we discuss 'Henry Fool' as a singular work of daring, frequently flying in the face of good taste, probing its audience's sense of morality, and asking us to find connection with a host of broken individuals who don't act in accordance with our own judgements. Finally, we look into the future and discuss Hartley's most recent (successful) attempts to get a new film off the ground and how a 2020's audience might receive a filmmaker who has always bucked commercial trends and swings for populist appeal.

Follow David Weigel on Twitter.

Subscribe to Semafor Newsletters

.

.

.

.

Our theme song is "Mirror" by Chris Fish

  continue reading

193 episodios

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