In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Batman Returns (with Danny Pellegrino)
Manage episode 349511996 series 2953367
Contenido proporcionado por HBO Max and iHeartPodcasts and HBO Max. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente HBO Max and iHeartPodcasts and HBO Max o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
"Batman Returns” is the iconic 1992 superhero film where Horror Queers can go for Christmas content. In both aesthetic and legacy, the sexy silhouettes, childhood nightmare foder, and commercial success could only be the product of Tim Burton’s fantastic stylings. In this sequel, as Batman inevitably returns to battle the joint efforts of the monstrous Penguin (Danny DeVito) and businessman Max Shreck (Christopher Walken) we see the resulting rise of Catwoman (Michelle Pfeiffer).
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Manage episode 349511996 series 2953367
Contenido proporcionado por HBO Max and iHeartPodcasts and HBO Max. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente HBO Max and iHeartPodcasts and HBO Max o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
"Batman Returns” is the iconic 1992 superhero film where Horror Queers can go for Christmas content. In both aesthetic and legacy, the sexy silhouettes, childhood nightmare foder, and commercial success could only be the product of Tim Burton’s fantastic stylings. In this sequel, as Batman inevitably returns to battle the joint efforts of the monstrous Penguin (Danny DeVito) and businessman Max Shreck (Christopher Walken) we see the resulting rise of Catwoman (Michelle Pfeiffer).
Detailing Pfeiffer’s effortless prowess and iconic performance in the role, Matt is joined by the one and only, writer and podcaster, Danny Pellegrino, for the season finale of the HBO Max Movie Club. There is no better way to end season two on a high note than recounting Pfeiffer’s iconic villain performance, the film’s major marketing campaign, and ultimately the dark but memorable childhood staple for so many.
Watch on HBO Max: “Batman Returns” until December 31, 2022
See omnystudio.com/listener for privacy information.
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Similar a HBO Max Movie Club
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Determining if all these so called classic films are indeed just that.
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If you're like Matt Gourley (Superego, Drunk History, Conan O'Brien Needs A Friend), then you know all the classic movie and television scenes so well it's like you were in the room when they happened. Well, you weren't. And neither was he. But the people Matt interviews were! Listen in as they tell the inside stories of how cinema and television history was made from a fly-on-the-wall perspective you've never heard. Hosted on Acast. See acast.com/privacy for more information.
…
continue reading
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