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Contenido proporcionado por Kate & Ray Harmony and Ray Harmony. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Kate & Ray Harmony and Ray Harmony o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
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Wrong Notes for Better Bass Lines

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Manage episode 325702377 series 1395273
Contenido proporcionado por Kate & Ray Harmony and Ray Harmony. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Kate & Ray Harmony and Ray Harmony o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.

Wrong Notes for Better Bass Lines

In this lesson you'll learn how to spice up your bass using non-diatonic notes (AKA chromatic notes). But first… Tea!

Hello revolutionary music makers, we are Kate and Ray Harmony (AKA Revolution Harmony), and welcome to Hack Music Theory, the fast, easy and fun way to make music! If you’re new to theory, or if you just want a refresher, then read our free book "12 Music Theory Hacks to Learn Scales & Chords". It’ll give you a super solid music theory foundation in just 30 minutes. The free download is below. Enjoy!

INTRO

Is your bass line currently sounding something like this? (click play above) That’s heading in the right direction, but at the moment the bass is only playing each chord’s root note, which is boring. So here’s a hack to spice up your bass line with notes that are not in the key!

HACK

With this hack you’ll be taking your bass into dangerous territory: the notes outside your scale. We’re in D minor here, so by moving this C up to C♯, we’re going out of our key. We’re also gonna move this G up a semitone, and this G down a semitone. These three out-of-key notes should sound wrong, but they don’t. Why? Because they’re quick, and they’re not on the main beats.

NEXT

Hope you found this helpful, and if you did, then download our bestselling Songwriting & Producing PDF for all our essential music making hacks!

Free Book

Wooohooo!!! You’re a mere 30 minutes away from being even smarter than you already are. Just head on over to your inbox now for your free download.

There was an error submitting your subscription. Please try again.

“The most brilliant, fast, easy & fun music theory book I’ve ever seen!” DEREK SIVERS, CD Baby founder

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DOWNLOAD FREE BOOK

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Listen below, or on any podcast app.

  continue reading

260 episodios

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Wrong Notes for Better Bass Lines

Hack Music Theory

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Manage episode 325702377 series 1395273
Contenido proporcionado por Kate & Ray Harmony and Ray Harmony. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Kate & Ray Harmony and Ray Harmony o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.

Wrong Notes for Better Bass Lines

In this lesson you'll learn how to spice up your bass using non-diatonic notes (AKA chromatic notes). But first… Tea!

Hello revolutionary music makers, we are Kate and Ray Harmony (AKA Revolution Harmony), and welcome to Hack Music Theory, the fast, easy and fun way to make music! If you’re new to theory, or if you just want a refresher, then read our free book "12 Music Theory Hacks to Learn Scales & Chords". It’ll give you a super solid music theory foundation in just 30 minutes. The free download is below. Enjoy!

INTRO

Is your bass line currently sounding something like this? (click play above) That’s heading in the right direction, but at the moment the bass is only playing each chord’s root note, which is boring. So here’s a hack to spice up your bass line with notes that are not in the key!

HACK

With this hack you’ll be taking your bass into dangerous territory: the notes outside your scale. We’re in D minor here, so by moving this C up to C♯, we’re going out of our key. We’re also gonna move this G up a semitone, and this G down a semitone. These three out-of-key notes should sound wrong, but they don’t. Why? Because they’re quick, and they’re not on the main beats.

NEXT

Hope you found this helpful, and if you did, then download our bestselling Songwriting & Producing PDF for all our essential music making hacks!

Free Book

Wooohooo!!! You’re a mere 30 minutes away from being even smarter than you already are. Just head on over to your inbox now for your free download.

There was an error submitting your subscription. Please try again.

“The most brilliant, fast, easy & fun music theory book I’ve ever seen!” DEREK SIVERS, CD Baby founder

We use this field to detect spam bots. If you fill this in, you will be marked as a spammer.
DOWNLOAD FREE BOOK

Podcast

Listen below, or on any podcast app.

  continue reading

260 episodios

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