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Contenido proporcionado por Dueling Genre Productions. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Dueling Genre Productions o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
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JUSTICE LEAGUE (2017) / ZACK SNYDER’S JUSTICE LEAGUE (2021)

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Contenido proporcionado por Dueling Genre Productions. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Dueling Genre Productions o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.

Believing they had struck gold, Warner Bros wasted no time putting JUSTICE LEAGUE into production with Zack Snyder at the helm once again for a release the following year, before Batman v Superman was even released in March of 2016. Meanwhile, the need for a DC creative head was finally filled by new Chief Creative Officer Geoff Johns, a comic book writer who had began his career as an assistant to Superman the Movie director Richard Donner, and a man whose own idea of what the DC Cinematic Universe should be was in direct opposition to the vision of its current architect.

When Batman v Superman was finally released, the box office for the history-making superhero film wouldn’t be considered a disaster by any measure, but the reaction to its dour tone and and edgy, complex plot left many viewers and critics with a bad taste in their mouth, leaving behind a brutal 29% Rotten Tomato score. Seeing the reception as an opportunity, Johns took control of the Justice League set, leading to on-set rewrites, reshoots helmed by Avengers director Joss Whedon, and digitally-erased mustaches.

The final film released in theaters in November of 2017 was a shell of its filmmaker’s intention and literally half its length, but the reception… was nearly just as bad as Batman v Superman the previous year. Warner had accomplished nothing, and the backlash among fans of the so-called “Snyderverse” was severe and almost immediate as the #ReleaseThe SnyderCut movement began. While it would take nearly 4 years to accomplish its goal, the launch of HBO Max and a lull in productions due to the pandemic lead Warner Bros to finally greenlight the completion of Zack Snyder’s original version of the film, or at least the closes thing to it.

Join Nick and Scott as they discuss the drama behind the scenes of the film that eventually became the 4 hour epic, ZACK SNYDER’S JUSTICE LEAGUE, that taught Warner Bros what happens when you give a mouse a cookie.

Become a Premier Tier PATREON supporter to hear our “Franchise Potential” companion podcast, plus bonus podcasts each week including Dueling Genre Tonight hosted by Nick!

Join the Dueling Genre Discord Server: https://discord.gg/rngwTkz8yw

Patreon Associate Producer: Matt Bennett & Mark Ybarra

  continue reading

158 episodios

Artwork
iconCompartir
 
Manage episode 437000172 series 2983062
Contenido proporcionado por Dueling Genre Productions. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Dueling Genre Productions o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.

Believing they had struck gold, Warner Bros wasted no time putting JUSTICE LEAGUE into production with Zack Snyder at the helm once again for a release the following year, before Batman v Superman was even released in March of 2016. Meanwhile, the need for a DC creative head was finally filled by new Chief Creative Officer Geoff Johns, a comic book writer who had began his career as an assistant to Superman the Movie director Richard Donner, and a man whose own idea of what the DC Cinematic Universe should be was in direct opposition to the vision of its current architect.

When Batman v Superman was finally released, the box office for the history-making superhero film wouldn’t be considered a disaster by any measure, but the reaction to its dour tone and and edgy, complex plot left many viewers and critics with a bad taste in their mouth, leaving behind a brutal 29% Rotten Tomato score. Seeing the reception as an opportunity, Johns took control of the Justice League set, leading to on-set rewrites, reshoots helmed by Avengers director Joss Whedon, and digitally-erased mustaches.

The final film released in theaters in November of 2017 was a shell of its filmmaker’s intention and literally half its length, but the reception… was nearly just as bad as Batman v Superman the previous year. Warner had accomplished nothing, and the backlash among fans of the so-called “Snyderverse” was severe and almost immediate as the #ReleaseThe SnyderCut movement began. While it would take nearly 4 years to accomplish its goal, the launch of HBO Max and a lull in productions due to the pandemic lead Warner Bros to finally greenlight the completion of Zack Snyder’s original version of the film, or at least the closes thing to it.

Join Nick and Scott as they discuss the drama behind the scenes of the film that eventually became the 4 hour epic, ZACK SNYDER’S JUSTICE LEAGUE, that taught Warner Bros what happens when you give a mouse a cookie.

Become a Premier Tier PATREON supporter to hear our “Franchise Potential” companion podcast, plus bonus podcasts each week including Dueling Genre Tonight hosted by Nick!

Join the Dueling Genre Discord Server: https://discord.gg/rngwTkz8yw

Patreon Associate Producer: Matt Bennett & Mark Ybarra

  continue reading

158 episodios

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