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Film & TV, The Creative Process: Acting, Directing, Writing, Cinematography, Producers, Composers, Costume Design, Talk Art & Creativity
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Consciousness, AI & Creativity with DUSTIN O’HALLORAN - Emmy Award-winning Composer
Manage episode 409429120 series 3334569
Contenido proporcionado por Mia Funk and Cinematography Producing Conversations: Creative Process Original Series. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Mia Funk and Cinematography Producing Conversations: Creative Process Original Series o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
What will happen when Artificial General Intelligence arrives? What is the nature of consciousness? How are music and creativity pathways for reconnecting us to our humanity and the natural world?
Dustin O’Halloran is a pianist and composer and member of the band A Winged Victory for the Sullen. Winner of a 2015 Emmy Award for his main title theme to Amazon's comedy drama Transparent, he was also nominated for an Oscar, a Golden Globe, and a BAFTA for his score for Lion, written in collaboration with Volker Bertelmann (aka Hauschka). He has composed for Wayne McGregor (The Royal Ballet, London), Sofia Coppola’s Marie Antoinette, Ammonite starring Kate Winslet, and The Essex Serpent starring Claire Danes. He produced Katy Perry’s “Into Me You See” from her album Witness and appears on Leonard Cohen’s 2019 posthumous album Thanks For The Dance. With six solo albums under his name, his latest album 1 0 0 1, which explores ideas of technology, humanity and mind-body dualism, is available on Deutsche Grammophon.
"The film Lion, when we got involved, there was a pretty early cut. So it was about trying to get into the picture and what would really work with the scenes, but also to sometimes just put it away and just really get to the heart of the film, too, because there was a big overarching feeling to the film. The feeling of home and the feeling of being connected to your mother and this cosmic connection that was calling him to find her. So there was a moment of getting into really taking these bits that we'd been working on outside of looking at the picture and then making them work inside the picture, which is a lot of work. It's actually hard to kind of take something, and then you have to fit it into a box. Because film is a bit of a box. It has limitations, and there's time. It has to hit marks. When you're making music for yourself, you don't have to worry about that."
https://dustinohalloran.com/
www.deutschegrammophon.com/en/artists/dustin-o-halloran
www.imdb.com/name/nm0641169/bio/?ref_=nm_ov_bio_sm
Music courtesy of Dustin O’Halloran and Deutsche Grammophon
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