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Contenido proporcionado por Film at Lincoln Center Podcast and Film at Lincoln Center. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Film at Lincoln Center Podcast and Film at Lincoln Center o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
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#564 - Payal Kapadia and Thomas Hakim on All We Imagine as Light

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Manage episode 448097033 series 115436
Contenido proporcionado por Film at Lincoln Center Podcast and Film at Lincoln Center. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Film at Lincoln Center Podcast and Film at Lincoln Center o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
This week we’re excited to present a conversation with director Payal Kapadia and producer Thomas Hakim of the NYFF62 Main Slate selection All We Imagine as Light. All We Imagine as Light opens at Film at Lincoln Center on November 15 with Payal Kapadia in person! Get tickets at filmlinc.org/light The light, the lives, and the textures of contemporary, working-class Mumbai are explored and celebrated with a vivid, humane richness by Payal Kapadia, who won the Grand Prize at this year’s Cannes Film Festival for her revelatory fiction feature debut. Centering on two roommates who also work together in a city hospital—head nurse Prabha (Kani Kusruti) and recent hire Anu (Divya Prabha)—and a newly retired coworker Parvaty (Chhaya Kadam), Kapadia’s film alights on prosaic moments of connection and heartache, hope and disappointment. Prabha, her husband from an arranged marriage living in faraway Germany, is pursued by a courtly doctor; Anu carries on a romance with a Muslim man, which she must keep a secret from her Hindu family; Parvaty finds herself dealing with a sudden eviction from her apartment. Kapadia captures the bustle of the metropolis and the open-air tranquility of a seaside resort with equal radiance, articulated by her superb actors with an unforced expressivity and by the camera with a lyrical naturalism that occasionally drifts into dreamlike incandescence. This conversation was moderated by NYFF Artistic Director Dennis Lim.
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592 episodios

Artwork
iconCompartir
 
Manage episode 448097033 series 115436
Contenido proporcionado por Film at Lincoln Center Podcast and Film at Lincoln Center. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Film at Lincoln Center Podcast and Film at Lincoln Center o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
This week we’re excited to present a conversation with director Payal Kapadia and producer Thomas Hakim of the NYFF62 Main Slate selection All We Imagine as Light. All We Imagine as Light opens at Film at Lincoln Center on November 15 with Payal Kapadia in person! Get tickets at filmlinc.org/light The light, the lives, and the textures of contemporary, working-class Mumbai are explored and celebrated with a vivid, humane richness by Payal Kapadia, who won the Grand Prize at this year’s Cannes Film Festival for her revelatory fiction feature debut. Centering on two roommates who also work together in a city hospital—head nurse Prabha (Kani Kusruti) and recent hire Anu (Divya Prabha)—and a newly retired coworker Parvaty (Chhaya Kadam), Kapadia’s film alights on prosaic moments of connection and heartache, hope and disappointment. Prabha, her husband from an arranged marriage living in faraway Germany, is pursued by a courtly doctor; Anu carries on a romance with a Muslim man, which she must keep a secret from her Hindu family; Parvaty finds herself dealing with a sudden eviction from her apartment. Kapadia captures the bustle of the metropolis and the open-air tranquility of a seaside resort with equal radiance, articulated by her superb actors with an unforced expressivity and by the camera with a lyrical naturalism that occasionally drifts into dreamlike incandescence. This conversation was moderated by NYFF Artistic Director Dennis Lim.
  continue reading

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