In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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‘The Ministry of Ungentlemanly Warfare’ Review
Manage episode 413421209 series 10748
Contenido proporcionado por Fat Guys Network. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Fat Guys Network o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
Rated R
Opens: April 19, 2024
Kevin says The Ministry of Ungentlemanly Warfare Kinda Rocks!
It’s another weekend, and another war movie is opening in theaters. But this one takes a more whimsical approach.
Guy Ritchie directs THE MINISTRY OF UNGENTLEMANLY WARFARE, a somewhat true but greatly embellished story of a secret British plot during World War II.
Winston Churchill directs a rag-tag group of mercenaries to cripple Germany’s U-Boat capabilities. And along the way, a lot of Nazis get killed. I mean, A LOT.
Not since Quentin Tarantino’s INGLOURIOUS BASTERDS has there been such a joyful display of Nazi grudge-killing, and I’m all for that. It’s what rockets this movie from a war film to an almost comic-book level of insanity. And its tongue-in-cheek attitude with a formidable cast makes it a lot of fun.
As expected from Ritchie, there’s plenty of action and punchy one-liners. He’s definitely back in his filmmaking element here.
Not to be taken too seriously as it revels in its own pulpiness, this is a silly film, but it’s still a great deal of fun.
THE MINISTRY OF UNGENTLEMANLY WARFARE gets three and a half machine guns out of five. I’m Kevin Carr, and that’s the way I see it.
Email the Show
Follow the show on Twitter (@FGATM)
Follow Kevin on Twitter (@kevincarr)
54 episodios
Compartir
Manage episode 413421209 series 10748
Contenido proporcionado por Fat Guys Network. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Fat Guys Network o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
Rated R
Opens: April 19, 2024
Kevin says The Ministry of Ungentlemanly Warfare Kinda Rocks!
It’s another weekend, and another war movie is opening in theaters. But this one takes a more whimsical approach.
Guy Ritchie directs THE MINISTRY OF UNGENTLEMANLY WARFARE, a somewhat true but greatly embellished story of a secret British plot during World War II.
Winston Churchill directs a rag-tag group of mercenaries to cripple Germany’s U-Boat capabilities. And along the way, a lot of Nazis get killed. I mean, A LOT.
Not since Quentin Tarantino’s INGLOURIOUS BASTERDS has there been such a joyful display of Nazi grudge-killing, and I’m all for that. It’s what rockets this movie from a war film to an almost comic-book level of insanity. And its tongue-in-cheek attitude with a formidable cast makes it a lot of fun.
As expected from Ritchie, there’s plenty of action and punchy one-liners. He’s definitely back in his filmmaking element here.
Not to be taken too seriously as it revels in its own pulpiness, this is a silly film, but it’s still a great deal of fun.
THE MINISTRY OF UNGENTLEMANLY WARFARE gets three and a half machine guns out of five. I’m Kevin Carr, and that’s the way I see it.
Email the Show
Follow the show on Twitter (@FGATM)
Follow Kevin on Twitter (@kevincarr)
54 episodios
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Similar a Fat Guys Network
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
…
continue reading
Are you afraid to be alone with your own thoughts? Would you rather hear stories and conversations from three idiots stumbling through womanhood? Well, you’re in the right place! From the minds and mouths of Keltie Knight, Jac Vanek, and Becca Tobin, the LADYGANG podcast intends to make women feel less alone. Each week the ladies welcome celebrity guests, experts, or chat amongst themselves about all things lady.
…
continue reading
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…
continue reading
Discover movies you may have missed and be warned about others you should. Hosts Anderson Cowan (Loveline) and Bryan Bishop (The Adam Carolla Show) hash out their contrasting film tastes in the form of weekly Top 5 lists and recent screening reviews of both new and old titles. With numerous recommendations each episode, The Film Vault is entertainment about entertainment and as a result is a show that keeps on giving.
…
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Since 2010, the We Hate Movies podcast has been loudly celebrating and tearing apart movies from across the spectrum: from forgotten '80s actioners and insane romantic comedies of the '90s, to the early CGI blockbusters of the aughts and the hyper-nostalgic franchises of the 2010s and today. Every week, comedians Andrew Jupin, Stephen Sajdak, Eric Szyszka, and Chris Cabin pick a movie from the near-past to discuss and joke around about in all its positive and negative glory.
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continue reading
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continue reading
Every week, The Ringer's Andy Greenwald and Chris Ryan -- longtime friends and pop culture addicts -- break down the latest in TV, movies, and music.
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continue reading
The Flop House is a comedy podcast devoted to the worst in recent film. Your hosts (Elliott Kalan, Dan McCoy, and Stuart Wellington) watch a questionable film, then engage in an unscripted discussion about the movie's shortcomings and occasional delights, while never being afraid of a pointless, silly digression or two hundred.
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continue reading
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