In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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‘Mean Girls’ Review
Manage episode 396227661 series 10748
Contenido proporcionado por Fat Guys Network. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Fat Guys Network o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
Rated PG-13
Opens: January 12, 2024
Kevin says Mean Girls kinda rocks!
After twenty years, MEAN GIRLS is making its way back to the big screen, this time as an adaptation of the Broadway musical.
The story follows a home-schooled girl who has her first taste of public high school. She befriends the popular clique but soon learns these girls can be… well, downright mean.
The production is bright, vibrant and colorful, and the song and dance numbers are impressive for their creativity… though at times they threaten to overshadow the story.
This version seems more of a tribute to the original film than a remake or adaptation. The film is fraught with cliches and tropes that have become far too routine in films lately.
The updates pander to the social media generation, considering none of these platforms even existed in 2004. If I have to sit through another TIkTok montage in a high school comedy, I’m gonna lose it.
In the end, MEAN GIRLS is entertaining enough, and it should land well with its target audience. Though I’m doubtful if this will form a new clique. It will likely just be remembered as secondary to the original.
MEAN GIRLS gets three and a half pink sweaters out of five. I’m Kevin Carr, and that’s the way I see it.
Email the Show
Follow the show on Twitter (@FGATM)
Follow Kevin on Twitter (@kevincarr)
54 episodios
Compartir
Manage episode 396227661 series 10748
Contenido proporcionado por Fat Guys Network. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Fat Guys Network o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
Rated PG-13
Opens: January 12, 2024
Kevin says Mean Girls kinda rocks!
After twenty years, MEAN GIRLS is making its way back to the big screen, this time as an adaptation of the Broadway musical.
The story follows a home-schooled girl who has her first taste of public high school. She befriends the popular clique but soon learns these girls can be… well, downright mean.
The production is bright, vibrant and colorful, and the song and dance numbers are impressive for their creativity… though at times they threaten to overshadow the story.
This version seems more of a tribute to the original film than a remake or adaptation. The film is fraught with cliches and tropes that have become far too routine in films lately.
The updates pander to the social media generation, considering none of these platforms even existed in 2004. If I have to sit through another TIkTok montage in a high school comedy, I’m gonna lose it.
In the end, MEAN GIRLS is entertaining enough, and it should land well with its target audience. Though I’m doubtful if this will form a new clique. It will likely just be remembered as secondary to the original.
MEAN GIRLS gets three and a half pink sweaters out of five. I’m Kevin Carr, and that’s the way I see it.
Email the Show
Follow the show on Twitter (@FGATM)
Follow Kevin on Twitter (@kevincarr)
54 episodios
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Similar a Fat Guys Network
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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…
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The Flop House is a comedy podcast devoted to the worst in recent film. Your hosts (Elliott Kalan, Dan McCoy, and Stuart Wellington) watch a questionable film, then engage in an unscripted discussion about the movie's shortcomings and occasional delights, while never being afraid of a pointless, silly digression or two hundred.
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continue reading
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We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
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