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Contenido proporcionado por EMRE ARACI. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente EMRE ARACI o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
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Rossini's March for the Sultan at Queen Victoria's Birthday

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Manage episode 464213899 series 3642729
Contenido proporcionado por EMRE ARACI. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente EMRE ARACI o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.

Rossini's March for the Sultan at Queen Victoria's Birthday

The podcast discusses Dr Emre Aracı's article, published originally in Turkish, in the October 2024 issue of Andante magazine (no: 216), where he explores the performance of Rossini's Marche pour le Sultan at Queen Victoria's 1854 birthday celebration at Osborne House. The piece's presence highlights the political alliance between Britain and the Ottoman Empire during the Crimean War. Aracı's research traces the march's journey from its composition for Sultan Abdülmecid to its publication in London and performance by renowned pianist Arabella Goddard. The article connects this musical event to broader historical and cultural contexts, including the architecture of Osborne House and the works of other artists and composers of the era. Ultimately, the article uses this specific piece of music as a starting point to examine broader themes of diplomacy, cultural exchange, and the passage of time. The article traces the path of the march, from its composition for Sultan Abdülmecid by Rossini in Florence, to its arrival in Istanbul, then its publication by Cramer, Beale & Co. in London with an elaborate portrait of the Sultan on the sheet music cover. The sheet music was sold at 201 Regent Street, a detail which connects the piece to the everyday life of London.

Dr. Aracı's article beautifully illustrates how a single piece of music can unlock a rich tapestry of historical, political, and cultural connections. The story of Rossini's march becomes a microcosm of mid-19th-century Europe, where diplomacy, cultural exchange, and personal stories intertwined, revealing the unexpected and lasting impact of the Crimean War on even the most intimate of royal celebrations. The piece emphasizes the importance of cultural heritage and the enduring power of music to tell untold stories. The author suggests that, much like the fading echoes of the music itself, the past remains both present and ever-changing.
This podcast has been created using Google's NotebookLM.

For more information visit: www.emrearaci.weebly.com

  continue reading

13 episodios

Artwork
iconCompartir
 
Manage episode 464213899 series 3642729
Contenido proporcionado por EMRE ARACI. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente EMRE ARACI o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.

Rossini's March for the Sultan at Queen Victoria's Birthday

The podcast discusses Dr Emre Aracı's article, published originally in Turkish, in the October 2024 issue of Andante magazine (no: 216), where he explores the performance of Rossini's Marche pour le Sultan at Queen Victoria's 1854 birthday celebration at Osborne House. The piece's presence highlights the political alliance between Britain and the Ottoman Empire during the Crimean War. Aracı's research traces the march's journey from its composition for Sultan Abdülmecid to its publication in London and performance by renowned pianist Arabella Goddard. The article connects this musical event to broader historical and cultural contexts, including the architecture of Osborne House and the works of other artists and composers of the era. Ultimately, the article uses this specific piece of music as a starting point to examine broader themes of diplomacy, cultural exchange, and the passage of time. The article traces the path of the march, from its composition for Sultan Abdülmecid by Rossini in Florence, to its arrival in Istanbul, then its publication by Cramer, Beale & Co. in London with an elaborate portrait of the Sultan on the sheet music cover. The sheet music was sold at 201 Regent Street, a detail which connects the piece to the everyday life of London.

Dr. Aracı's article beautifully illustrates how a single piece of music can unlock a rich tapestry of historical, political, and cultural connections. The story of Rossini's march becomes a microcosm of mid-19th-century Europe, where diplomacy, cultural exchange, and personal stories intertwined, revealing the unexpected and lasting impact of the Crimean War on even the most intimate of royal celebrations. The piece emphasizes the importance of cultural heritage and the enduring power of music to tell untold stories. The author suggests that, much like the fading echoes of the music itself, the past remains both present and ever-changing.
This podcast has been created using Google's NotebookLM.

For more information visit: www.emrearaci.weebly.com

  continue reading

13 episodios

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