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204 - The Emmy-nominated Sound Work of Ripley

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Manage episode 434321972 series 2855714
Contenido proporcionado por Dolby. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Dolby o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.

Nominated for 13 Primetime Emmy Awards®, “Ripley,” the new Netflix limited series from creator Steven Zaillian, is a masterclass in filmmaking and the art of sound. So it’s no wonder that two of those nominations are for Outstanding Sound Editing and Sound Mixing. And it’s clear why the sound team was given so much creative freedom to explore the sonic possibilities of the show, as many of those details and nuances were written directly into the scripts, and overseen by a showrunner with a sharp attention to detail.

“Without a doubt, Steve Zaillian pays attention to every footstep and every breath and every movement.”

—Michael Barry, Re-recording Mixer, “Ripley”

Today we are joined by members of the sound team behind the show, including:

- Larry Zipf, Co-supervising Sound Editor/Sound Designer and Re-recording Mixer

- Michael Feuser, Co-supervising Sound Editor

- Michael Barry, Re-recording Mixer

- Maurizio Argentieri, Sound Mixer

NOTE: This interview contains spoilers! So be sure to check out “Ripley,” now streaming on Netflix in Dolby Vision® and Dolby Atmos®, before listening.

Please subscribe to Dolby Creator Talks wherever you get your podcasts.

You can also check out the video for this episode on our YouTube channel.

Learn more about the Dolby Institute and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

  continue reading

210 episodios

Artwork
iconCompartir
 
Manage episode 434321972 series 2855714
Contenido proporcionado por Dolby. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Dolby o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.

Nominated for 13 Primetime Emmy Awards®, “Ripley,” the new Netflix limited series from creator Steven Zaillian, is a masterclass in filmmaking and the art of sound. So it’s no wonder that two of those nominations are for Outstanding Sound Editing and Sound Mixing. And it’s clear why the sound team was given so much creative freedom to explore the sonic possibilities of the show, as many of those details and nuances were written directly into the scripts, and overseen by a showrunner with a sharp attention to detail.

“Without a doubt, Steve Zaillian pays attention to every footstep and every breath and every movement.”

—Michael Barry, Re-recording Mixer, “Ripley”

Today we are joined by members of the sound team behind the show, including:

- Larry Zipf, Co-supervising Sound Editor/Sound Designer and Re-recording Mixer

- Michael Feuser, Co-supervising Sound Editor

- Michael Barry, Re-recording Mixer

- Maurizio Argentieri, Sound Mixer

NOTE: This interview contains spoilers! So be sure to check out “Ripley,” now streaming on Netflix in Dolby Vision® and Dolby Atmos®, before listening.

Please subscribe to Dolby Creator Talks wherever you get your podcasts.

You can also check out the video for this episode on our YouTube channel.

Learn more about the Dolby Institute and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

  continue reading

210 episodios

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