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Contenido proporcionado por Rich Buckland and Bill Mesnik, Rich Buckland, and Bill Mesnik. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Rich Buckland and Bill Mesnik, Rich Buckland, and Bill Mesnik o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
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The Splendid Bohemians Present An R&B Special - "Juke Kooper"- The Blue Rocks Of Ages With Horns"- Part Two

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Manage episode 425166705 series 1847932
Contenido proporcionado por Rich Buckland and Bill Mesnik, Rich Buckland, and Bill Mesnik. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Rich Buckland and Bill Mesnik, Rich Buckland, and Bill Mesnik o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.

“I wasn’t bound to a style,” Al Kooper has said. He was talking about his guitar playing but just as easily could have been talking about the totality of Al Kooper, songwriter, musician, singer, producer, band director. “If anything, I was known for being in the right place at the right time and playing the right thing.” Kooper has been at the heart of rock & roll’s time/space continuum for much of its history.
Southside Johnny and the Asbury Jukes emerged from the New Jersey Shore in 1974. Though they carried a significant influence (and some key personnel) from Bruce Springsteen and the E Street Band, the Jukes evolved as more of a white R&B horn band in the Memphis tradition embodied by Stax Records. Organized by singer John “Southside Johnny” Lyon, guitarist and songwriter Steve Van Zandt (who decamped for the E Street Band in 1975 but continued to produce, manage, and write songs for the Jukes), and Richie “La Bamba” Rosenberg, the band is well known for its high-energy live shows and no-holds-barred songs.

The Jukes’ brand of raucous soul, roots-tinged rock, and bluesy reverie has flourished across the band’s long career. Rolling Stone named Hearts of Stone one of the top 100 albums of the 1970s and ’80s.

  continue reading

362 episodios

Artwork
iconCompartir
 
Manage episode 425166705 series 1847932
Contenido proporcionado por Rich Buckland and Bill Mesnik, Rich Buckland, and Bill Mesnik. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Rich Buckland and Bill Mesnik, Rich Buckland, and Bill Mesnik o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.

“I wasn’t bound to a style,” Al Kooper has said. He was talking about his guitar playing but just as easily could have been talking about the totality of Al Kooper, songwriter, musician, singer, producer, band director. “If anything, I was known for being in the right place at the right time and playing the right thing.” Kooper has been at the heart of rock & roll’s time/space continuum for much of its history.
Southside Johnny and the Asbury Jukes emerged from the New Jersey Shore in 1974. Though they carried a significant influence (and some key personnel) from Bruce Springsteen and the E Street Band, the Jukes evolved as more of a white R&B horn band in the Memphis tradition embodied by Stax Records. Organized by singer John “Southside Johnny” Lyon, guitarist and songwriter Steve Van Zandt (who decamped for the E Street Band in 1975 but continued to produce, manage, and write songs for the Jukes), and Richie “La Bamba” Rosenberg, the band is well known for its high-energy live shows and no-holds-barred songs.

The Jukes’ brand of raucous soul, roots-tinged rock, and bluesy reverie has flourished across the band’s long career. Rolling Stone named Hearts of Stone one of the top 100 albums of the 1970s and ’80s.

  continue reading

362 episodios

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