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Contenido proporcionado por Rolf Potts. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Rolf Potts o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
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Essential tips and strategies for telling travel stories, with Andrew McCarthy

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Manage episode 406052537 series 1776873
Contenido proporcionado por Rolf Potts. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Rolf Potts o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.

“We ‘massage’ the truth to make it fit the narrative we need it to fit in our lives.” –Andrew McCarthy

In this episode of Deviate, Rolf and Andrew talk about how Andrew got started in travel writing, and how writing himself on the page helped him see himself in the world (2:30); when he does and doesn’t conflate certain details in the interest of a good story, and how he balances the “micro” and the “macro” elements of a travel story (12:30); how he decides who to write about, among the many people he meets on the road, which details do and don’t drive the narrative forward, and what it’s like to meet travelers who recognize him from his acting days (23:30); how Andrew structures his travel stories, and what travel storytelling in common with his work as a TV director (31:00); how he balances his writing and non-writing work in life, and how he mixes personal details with place details in his travel writing (38:00); and how memory can be fallible, and how to best write about family members (47:00).

Andrew McCarthy (@AndrewTMcCarthy) is an actor, television director and writer of such books as The Longest Way Home and Brat. His newest book is Walking with Sam: A Father, a Son, and Five Hundred Miles Across Spain.

Notable Links:

The Deviate theme music comes from the title track of Cedar Van Tassel’s 2017 album Lumber.

Note: We don’t host a “comments” section, but we’re happy to hear your questions and insights via email, at [email protected].

  continue reading

250 episodios

Artwork
iconCompartir
 
Manage episode 406052537 series 1776873
Contenido proporcionado por Rolf Potts. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Rolf Potts o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.

“We ‘massage’ the truth to make it fit the narrative we need it to fit in our lives.” –Andrew McCarthy

In this episode of Deviate, Rolf and Andrew talk about how Andrew got started in travel writing, and how writing himself on the page helped him see himself in the world (2:30); when he does and doesn’t conflate certain details in the interest of a good story, and how he balances the “micro” and the “macro” elements of a travel story (12:30); how he decides who to write about, among the many people he meets on the road, which details do and don’t drive the narrative forward, and what it’s like to meet travelers who recognize him from his acting days (23:30); how Andrew structures his travel stories, and what travel storytelling in common with his work as a TV director (31:00); how he balances his writing and non-writing work in life, and how he mixes personal details with place details in his travel writing (38:00); and how memory can be fallible, and how to best write about family members (47:00).

Andrew McCarthy (@AndrewTMcCarthy) is an actor, television director and writer of such books as The Longest Way Home and Brat. His newest book is Walking with Sam: A Father, a Son, and Five Hundred Miles Across Spain.

Notable Links:

The Deviate theme music comes from the title track of Cedar Van Tassel’s 2017 album Lumber.

Note: We don’t host a “comments” section, but we’re happy to hear your questions and insights via email, at [email protected].

  continue reading

250 episodios

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