In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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UFO 8 – Sub-Smash
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Contenido proporcionado por Decorative Vegetable. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Decorative Vegetable o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
Something something title of this episode something something Freeman Apologist.
Look if I had a sub as a kid, I would smash it too. Actually, I have this Lego set of the Beatles Yellow Submarine, and when I got it and I used to have this obsession with taking it apart and rebuilding it. I got to the point where I could basically rebuild it from memory, it was pretty cool actually. I guess that’s kind of a sub-smash. It’s Sub-Smash, written by Alan Fennell and aired on November 11, 1970.
Show-notes:
1:15: Well, you can see framecaplib for yourself. Thanks to the magic of show-notes.
18:00: Tell me this guy doesn’t look at least a little like Willem Dafoe.
50:11: Feast your eyes.
1:04:25 Hree’s the original Thundercats intro. It was actually done by Topcraft (precursor to Pacific Animation Corporation/Walt Disney Animation Japan), an animation studio formed by former Toei employees.
UFO © ITC
Any other references belong to their respective owners, no copyright infringement is intended by this podcast.
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Check us out on Facebook!
Check us out on YouTube!
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488 episodios
Compartir
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Manage episode 323577577 series 2575634
Contenido proporcionado por Decorative Vegetable. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Decorative Vegetable o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
Something something title of this episode something something Freeman Apologist.
Look if I had a sub as a kid, I would smash it too. Actually, I have this Lego set of the Beatles Yellow Submarine, and when I got it and I used to have this obsession with taking it apart and rebuilding it. I got to the point where I could basically rebuild it from memory, it was pretty cool actually. I guess that’s kind of a sub-smash. It’s Sub-Smash, written by Alan Fennell and aired on November 11, 1970.
Show-notes:
1:15: Well, you can see framecaplib for yourself. Thanks to the magic of show-notes.
18:00: Tell me this guy doesn’t look at least a little like Willem Dafoe.
50:11: Feast your eyes.
1:04:25 Hree’s the original Thundercats intro. It was actually done by Topcraft (precursor to Pacific Animation Corporation/Walt Disney Animation Japan), an animation studio formed by former Toei employees.
UFO © ITC
Any other references belong to their respective owners, no copyright infringement is intended by this podcast.
Subscribe on Apple Podcasts!
Subscribe on Google Play!
Subscribe on Spotify!
Check us out on Facebook!
Check us out on YouTube!
Check us out on Twitter!
488 episodios
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Similar a Decorative Vegetable
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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continue reading
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continue reading
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