In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Episode 90: Carter Smith
Manage episode 241026918 series 1531981
Contenido proporcionado por Dead for Filth with Michael Varrati and REVRY Studios. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Dead for Filth with Michael Varrati and REVRY Studios o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
This week, we're catching the attention of all the dead boys as we welcome Carter Smith, acclaimed photographer and filmmaker of BUGCRUSH, THE RUINS, and JAMIE MARKS IS DEAD! Among other things, Carter discusses growing up in Stephen King's Maine, how his work as a photographer prepared him for life on film sets, and the oft unspoken kinship between the grotesque and beautiful.
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Manage episode 241026918 series 1531981
Contenido proporcionado por Dead for Filth with Michael Varrati and REVRY Studios. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Dead for Filth with Michael Varrati and REVRY Studios o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
This week, we're catching the attention of all the dead boys as we welcome Carter Smith, acclaimed photographer and filmmaker of BUGCRUSH, THE RUINS, and JAMIE MARKS IS DEAD! Among other things, Carter discusses growing up in Stephen King's Maine, how his work as a photographer prepared him for life on film sets, and the oft unspoken kinship between the grotesque and beautiful.
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Similar a Dead for Filth with Michael Varrati
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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…
continue reading
Determining if all these so called classic films are indeed just that.
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We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
…
continue reading
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