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S10E3 CANCON and Canadian Music

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Manage episode 442959387 series 1542336
Contenido proporcionado por David Borys. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente David Borys o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.

All around the world today there are people who listen to music made by Canadians. Most of us are familiar with Drake and Justin Bieber but long before those two superstars, all over the world Canadian musical acts had been transmitting into the ears of humans. But in some alternate reality, none of the Bieber’s or Drake’s exist. In fact, there is probably an alternate reality somewhere where Canada is nothing more than a musical dumping ground for American acts. And if you want to know what that might look like, simply look at Canadian music before 1971. Prior to that year Canadian radio stations played whatever was charting in the US and whatever was being dictated by US labels. While some domestic music was played on local stations, the musical conversation was a south to north one, never an east-west one. But that all changed with CANCON – the introduction of Canadian content regulations. While CANCON was certainly controversial when it came out, it became the catalyst for the creation of a domestic music industry, one that would germinate, then grow, then expand, then cultivate some of the biggest acts, biggest producers and biggest musical icons the world has ever seen.


Don’t forget! You can purchase a copy of Punching Above Our Weight: The Canadian Military at War Since 1867 right now at the below links:


Amazon

Indigo

Dundurn

Goodreads

Indiebookstores.ca

Get add free content at Patreon!

Hosted on Acast. See acast.com/privacy for more information.

  continue reading

175 episodios

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S10E3 CANCON and Canadian Music

Curious Canadian History

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Manage episode 442959387 series 1542336
Contenido proporcionado por David Borys. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente David Borys o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.

All around the world today there are people who listen to music made by Canadians. Most of us are familiar with Drake and Justin Bieber but long before those two superstars, all over the world Canadian musical acts had been transmitting into the ears of humans. But in some alternate reality, none of the Bieber’s or Drake’s exist. In fact, there is probably an alternate reality somewhere where Canada is nothing more than a musical dumping ground for American acts. And if you want to know what that might look like, simply look at Canadian music before 1971. Prior to that year Canadian radio stations played whatever was charting in the US and whatever was being dictated by US labels. While some domestic music was played on local stations, the musical conversation was a south to north one, never an east-west one. But that all changed with CANCON – the introduction of Canadian content regulations. While CANCON was certainly controversial when it came out, it became the catalyst for the creation of a domestic music industry, one that would germinate, then grow, then expand, then cultivate some of the biggest acts, biggest producers and biggest musical icons the world has ever seen.


Don’t forget! You can purchase a copy of Punching Above Our Weight: The Canadian Military at War Since 1867 right now at the below links:


Amazon

Indigo

Dundurn

Goodreads

Indiebookstores.ca

Get add free content at Patreon!

Hosted on Acast. See acast.com/privacy for more information.

  continue reading

175 episodios

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