Artwork

Contenido proporcionado por Art Gallery of New South Wales. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Art Gallery of New South Wales o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
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The expulsion

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Manage episode 205951224 series 2306350
Contenido proporcionado por Art Gallery of New South Wales. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Art Gallery of New South Wales o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
'The expulsion' completes Arthur Boyd’s cycle of biblical-themed paintings which he began in 1944. Based on the Old Testament story of Adam and Eve expelled by God from the Garden of Eden, the figures recall the work of 15th-century Florentine painter, Masaccio. Boyd transposes this early Renaissance pictorial idea into an Australian wilderness. The focus of 'The expulsion' is not so much the biblical narrative as a poignant depiction of Boyd’s concern for lovers denied privacy, which he had experienced when courting his future wife, Yvonne, after his conscription into the army. I see lovers as victims …They suffer from being unprivate, watched. Love becomes guilt because it is frustrated. Pictures with animals or another human figure watching lovers are intended to give the idea of spying, a disturbance, a breaking into the moment of privacy. Arthur Boyd, 1981
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19 episodios

Artwork
iconCompartir
 
Manage episode 205951224 series 2306350
Contenido proporcionado por Art Gallery of New South Wales. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Art Gallery of New South Wales o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
'The expulsion' completes Arthur Boyd’s cycle of biblical-themed paintings which he began in 1944. Based on the Old Testament story of Adam and Eve expelled by God from the Garden of Eden, the figures recall the work of 15th-century Florentine painter, Masaccio. Boyd transposes this early Renaissance pictorial idea into an Australian wilderness. The focus of 'The expulsion' is not so much the biblical narrative as a poignant depiction of Boyd’s concern for lovers denied privacy, which he had experienced when courting his future wife, Yvonne, after his conscription into the army. I see lovers as victims …They suffer from being unprivate, watched. Love becomes guilt because it is frustrated. Pictures with animals or another human figure watching lovers are intended to give the idea of spying, a disturbance, a breaking into the moment of privacy. Arthur Boyd, 1981
  continue reading

19 episodios

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