In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Interview with James Wicks on Color Restoring Classic 35mm Spanish Language Movies
MP3•Episodio en casa
Manage episode 120450507 series 63904
Contenido proporcionado por Tom Parish. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Tom Parish o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
Senior Colorist James Wicks works with a highly talented team at Olympusat color restoring classic 35mm Spanish-language movies. Jim, as he his known to his friends and colleagues, discusses his passion for being a Colorist, and discusses in detail some of his amazing experiences as he color restores these classic movies for a whole new audience. He carefully color restores each film to its original look and luster - despite the fact that each film has been in storage for anywhere from 50 to 70 years. Given that the films are actually reframed for 16x9 HD viewing, they look even better than they did originally. Jim talks about the team effort that goes into repairing each film, such as the careful cleaning, optical scanning, restoration, the color restoration process, audio, and finishing. Jim covers two examples: one from a 1951 black and white film, the other from a 1956 color film that looks to be nearly as grand in scale as "Gone with the Wind". Join in the conversation and let us know if you have questions Or, you can contact Jim directly at jimwicks.com. Special thanks to Tom Mohler, President and CEO of Olympusat for his bold vision which has made it possible to restore and color these classic 35MM Mexican films for a whole new audience of movie fans.
…
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37 episodios
MP3•Episodio en casa
Manage episode 120450507 series 63904
Contenido proporcionado por Tom Parish. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Tom Parish o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
Senior Colorist James Wicks works with a highly talented team at Olympusat color restoring classic 35mm Spanish-language movies. Jim, as he his known to his friends and colleagues, discusses his passion for being a Colorist, and discusses in detail some of his amazing experiences as he color restores these classic movies for a whole new audience. He carefully color restores each film to its original look and luster - despite the fact that each film has been in storage for anywhere from 50 to 70 years. Given that the films are actually reframed for 16x9 HD viewing, they look even better than they did originally. Jim talks about the team effort that goes into repairing each film, such as the careful cleaning, optical scanning, restoration, the color restoration process, audio, and finishing. Jim covers two examples: one from a 1951 black and white film, the other from a 1956 color film that looks to be nearly as grand in scale as "Gone with the Wind". Join in the conversation and let us know if you have questions Or, you can contact Jim directly at jimwicks.com. Special thanks to Tom Mohler, President and CEO of Olympusat for his bold vision which has made it possible to restore and color these classic 35MM Mexican films for a whole new audience of movie fans.
…
continue reading
37 episodios
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