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The Buried People by Nigel Brown (audio)
Manage episode 445632567 series 3289355
Contenido proporcionado por Clarkesworld Magazine. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Clarkesworld Magazine o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
This episode features "The Buried People" written by Nigel Brown. Published in the October 2024 issue of Clarkesworld Magazine and read by Kate Baker. The text version of this story can be found at: https://clarkesworldmagazine.com/brown_10_24 Support us on Patreon at https://www.patreon.com/join/clarkesworld?
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Manage episode 445632567 series 3289355
Contenido proporcionado por Clarkesworld Magazine. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Clarkesworld Magazine o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
This episode features "The Buried People" written by Nigel Brown. Published in the October 2024 issue of Clarkesworld Magazine and read by Kate Baker. The text version of this story can be found at: https://clarkesworldmagazine.com/brown_10_24 Support us on Patreon at https://www.patreon.com/join/clarkesworld?
…
continue reading
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From GE Podcast Theater and Panoply, The Message and its sequel, LifeAfter, take listeners on journeys to the limits of technology. In The Message, an alien transmission from decades ago becomes an urgent puzzle with life or death consequences. In LifeAfter, Ross, a low level employee at the FBI, spends his days conversing online with his wife Charlie – who died eight months ago. But the technology behind this digital resurrection leads Ross down a dangerous path that threatens his job, his ...
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