In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Blade Runner 2049 Is As Artsy As Big Budget Sci Fi Gets | CineFix Top 100
Manage episode 440046861 series 3489183
Contenido proporcionado por IGN Podcast Network, CINEFIX, and Clint Gage. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente IGN Podcast Network, CINEFIX, and Clint Gage o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
Blade Runner 2049, the long in the works sequel to Ridley Scott’s sci fi classic, was a critical hit whose box office never quite lived up to its ambitious budget. But, here in the season 3 premiere of the CineFix Top 100, Clint, Cal and Alex talk about whether the film ever had a chance to make money, the incredible accident that made the original Blade Runner a classic, how hard Harrison Ford is trying in the film and whether or not Denis Villenueve is actually the Christopher Nolan we deserve.
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Manage episode 440046861 series 3489183
Contenido proporcionado por IGN Podcast Network, CINEFIX, and Clint Gage. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente IGN Podcast Network, CINEFIX, and Clint Gage o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
Blade Runner 2049, the long in the works sequel to Ridley Scott’s sci fi classic, was a critical hit whose box office never quite lived up to its ambitious budget. But, here in the season 3 premiere of the CineFix Top 100, Clint, Cal and Alex talk about whether the film ever had a chance to make money, the incredible accident that made the original Blade Runner a classic, how hard Harrison Ford is trying in the film and whether or not Denis Villenueve is actually the Christopher Nolan we deserve.
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CineFix Top 100 was created by Clint Gage and Dan Parkhurst and is produced by Tayo Oyekan, with Director of Photography, Jamie Parslow and Technical Producer, Marhyan Franzen. Our Executive Producers are Clint Gage and Corrado Caretto. Logo and graphic design by Eric Sapp and title animations by Casey Redmon.
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Similar a CineFix Top 100
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
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