In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Contenido proporcionado por IGN Podcast Network, CINEFIX, and Clint Gage. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente IGN Podcast Network, CINEFIX, and Clint Gage o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
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Alien is a B-Movie Done In an A+ Way | CineFix Top 100
Manage episode 447080798 series 3489183
Contenido proporcionado por IGN Podcast Network, CINEFIX, and Clint Gage. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente IGN Podcast Network, CINEFIX, and Clint Gage o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
Ridley Scott dropped Alien in 1979 and, just 2 years after Star Wars hit the idea that Sci Fi wasn’t bankable with the Death Star, gave us not only one of the most enduring science fiction classics, but a terrifying haunted house movie to boot. Clint, Cal and Alex discuss Newcomer of the year nominee Sigourney Weaver, how Ripley isn’t the main character of the movie (for most of it) and why the single most ambitious shot in the entire film might not be the one you think it is.
Meanwhile, Dan’s algorithm decided this episode is priority, all other considerations are secondary, the Top 100 crew… expendable...
CineFix Top 100 was created by Clint Gage and Dan Parkhurst and is produced by Tayo Oyekan, with Director of Photography, Jamie Parslow and Technical Producers, Marhyan Franzen and Amir Rakib. Our Executive Producers are Clint Gage and Corrado Caretto. Logo and graphic design by Eric Sapp and title animations by Casey Redmon.
CineFix Top 100 is available on all your podcast networks including:
Spotify https://open.spotify.com/show/02lznfKZ2gCnBwFoTgKlYr
Apple Podcasts https://podcasts.apple.com/us/podcast/cinefix-top-100/id1693413490
Amazon Music https://music.amazon.com/podcasts/80256cff-2174-4d69-a9c7-8b565e96e39b
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Manage episode 447080798 series 3489183
Contenido proporcionado por IGN Podcast Network, CINEFIX, and Clint Gage. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente IGN Podcast Network, CINEFIX, and Clint Gage o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
Ridley Scott dropped Alien in 1979 and, just 2 years after Star Wars hit the idea that Sci Fi wasn’t bankable with the Death Star, gave us not only one of the most enduring science fiction classics, but a terrifying haunted house movie to boot. Clint, Cal and Alex discuss Newcomer of the year nominee Sigourney Weaver, how Ripley isn’t the main character of the movie (for most of it) and why the single most ambitious shot in the entire film might not be the one you think it is.
Meanwhile, Dan’s algorithm decided this episode is priority, all other considerations are secondary, the Top 100 crew… expendable...
CineFix Top 100 was created by Clint Gage and Dan Parkhurst and is produced by Tayo Oyekan, with Director of Photography, Jamie Parslow and Technical Producers, Marhyan Franzen and Amir Rakib. Our Executive Producers are Clint Gage and Corrado Caretto. Logo and graphic design by Eric Sapp and title animations by Casey Redmon.
CineFix Top 100 is available on all your podcast networks including:
Spotify https://open.spotify.com/show/02lznfKZ2gCnBwFoTgKlYr
Apple Podcasts https://podcasts.apple.com/us/podcast/cinefix-top-100/id1693413490
Amazon Music https://music.amazon.com/podcasts/80256cff-2174-4d69-a9c7-8b565e96e39b
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Similar a CineFix Top 100
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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continue reading
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…
continue reading
In a unique weekly podcast, Edith Bowman sits down with a variety of film directors, actors, producers and composers to talk about the music that inspired them and how they use music in their films, from their current release to key moments in their career. The music chosen by our guests is woven into the interview and used alongside clips from their films. https://itunes.apple.com/gb/playlist/soundtracking-with-edith-bowman-episode-132-mary-j-blige/pl.u-6mo4l9mhpzG6x https://play.spotify.co ...
…
continue reading
Are you afraid to be alone with your own thoughts? Would you rather hear stories and conversations from three idiots stumbling through womanhood? Well, you’re in the right place! From the minds and mouths of Keltie Knight, Jac Vanek, and Becca Tobin, the LADYGANG podcast intends to make women feel less alone. Each week the ladies welcome celebrity guests, experts, or chat amongst themselves about all things lady.
…
continue reading
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