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The Making of the Wenceslas Bible

 
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Contenido proporcionado por CEU Podcasts. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente CEU Podcasts o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
In this interview, Maria Theisen talks about her work on the Making of the Wenceslas Bible. This great bible was written in German in the late fourteenth century, and although it was never completed, it still contains 2,000 folios and over 650 illuminations. Maria sets the creation of the bible into the context of the times, particularly the reforms within the church and the power struggles between the Catholic church and King Wenceslas IV. Maria also explains the complex iconography of the period and the symbolism of the images in the great first letter of Genesis. As the bible was not finished, there remain notes in the margins for the illuminators which give clues to the process of making the bible and the lives of the scribes and illuminators.This podcast is part of a series of interviews covering central Europe in the medieval period for MECERN and CEU Medieval Studies.
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333 episodios

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The Making of the Wenceslas Bible

CEU Podcasts

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Manage episode 454346883 series 2352910
Contenido proporcionado por CEU Podcasts. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente CEU Podcasts o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
In this interview, Maria Theisen talks about her work on the Making of the Wenceslas Bible. This great bible was written in German in the late fourteenth century, and although it was never completed, it still contains 2,000 folios and over 650 illuminations. Maria sets the creation of the bible into the context of the times, particularly the reforms within the church and the power struggles between the Catholic church and King Wenceslas IV. Maria also explains the complex iconography of the period and the symbolism of the images in the great first letter of Genesis. As the bible was not finished, there remain notes in the margins for the illuminators which give clues to the process of making the bible and the lives of the scribes and illuminators.This podcast is part of a series of interviews covering central Europe in the medieval period for MECERN and CEU Medieval Studies.
  continue reading

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