In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Contenido proporcionado por Mike Cavaliere & Brian McMillan, Mike Cavaliere, and Brian McMillan. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Mike Cavaliere & Brian McMillan, Mike Cavaliere, and Brian McMillan o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
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2009: Style Over Sorrow in A SINGLE MAN
Manage episode 348215441 series 2865408
Contenido proporcionado por Mike Cavaliere & Brian McMillan, Mike Cavaliere, and Brian McMillan. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Mike Cavaliere & Brian McMillan, Mike Cavaliere, and Brian McMillan o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
Colin Firth was nominated in the Best Actor category in 2009 for "A Single Man," tallying the film's one and only Academy Award nod. In addition to Firth's performance, however, the film is a visual feast, full of impeccable costuming, set design and a color palette that, sometimes literally, radiates.
The attention to visuals makes sense, given director Tom Ford's history as a fashion designer, but it also begs the question: Is there more to "A Single Man" than its glossy finishes?
In this episode, Mike and Brian talk style and whether or not Ford's eye for it here adds to the substance of "A Single Man;" they gush over Julianne Moore (and bestow a great honor upon her); dig deep into the movie's ending; and finally, decide whether or not this film will make their top fives of the year.
Want to choose an movie for a future episode? BECOME A PATRON.
Agree or disagree with our takes? EMAIL bestpicturethis@gmail.com.
130 episodios
Compartir
Manage episode 348215441 series 2865408
Contenido proporcionado por Mike Cavaliere & Brian McMillan, Mike Cavaliere, and Brian McMillan. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Mike Cavaliere & Brian McMillan, Mike Cavaliere, and Brian McMillan o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
Colin Firth was nominated in the Best Actor category in 2009 for "A Single Man," tallying the film's one and only Academy Award nod. In addition to Firth's performance, however, the film is a visual feast, full of impeccable costuming, set design and a color palette that, sometimes literally, radiates.
The attention to visuals makes sense, given director Tom Ford's history as a fashion designer, but it also begs the question: Is there more to "A Single Man" than its glossy finishes?
In this episode, Mike and Brian talk style and whether or not Ford's eye for it here adds to the substance of "A Single Man;" they gush over Julianne Moore (and bestow a great honor upon her); dig deep into the movie's ending; and finally, decide whether or not this film will make their top fives of the year.
Want to choose an movie for a future episode? BECOME A PATRON.
Agree or disagree with our takes? EMAIL bestpicturethis@gmail.com.
130 episodios
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Similar a Best Picture This
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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…
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continue reading
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continue reading
Bald Move Pulp is where you can get your fix of robots, aliens, action space adventures, and everything in between; on television or on the big screen. Pulp was not made for serious drama, if that’s your thing, you might be looking for Bald Move Prestige.
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continue reading
Mining the depths of film entertainment for all mankind. With Scott Johnson, Brian Dunaway, Randy Jordan, and Brian Ibbott. Hosted on Acast. See acast.com/privacy for more information.
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continue reading
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continue reading
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continue reading
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