In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Contenido proporcionado por Mike Cavaliere & Brian McMillan, Mike Cavaliere, and Brian McMillan. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Mike Cavaliere & Brian McMillan, Mike Cavaliere, and Brian McMillan o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
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2007: It's JUNO Day, Homeskillet
Manage episode 330168125 series 2865408
Contenido proporcionado por Mike Cavaliere & Brian McMillan, Mike Cavaliere, and Brian McMillan. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Mike Cavaliere & Brian McMillan, Mike Cavaliere, and Brian McMillan o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
Director Jason Reitman teamed with first-time screenwriter Diablo Cody to release one of 2007's most surprising smash hits: "Juno," starring Elliot Page, Michael Cera, Jason Batemon, Jennifer Garner, J.K. Simmons and (breath) Allison Janney.
In this episode, Mike and Brian talk iconic characters, when "quirkiness" became cool, what makes a film a "message movie" and if "Juno" fits that bill and, finally, if this indie darling deserves a place in the top five of 2007.
www.bestpicturethis.com
Want to choose an movie for a future episode? BECOME A PATRON.
Agree or disagree with our takes? EMAIL BestPictureThis@gmail.com
And for 16 years of Golden Takes, head over to Letterboxd.
130 episodios
Compartir
Manage episode 330168125 series 2865408
Contenido proporcionado por Mike Cavaliere & Brian McMillan, Mike Cavaliere, and Brian McMillan. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Mike Cavaliere & Brian McMillan, Mike Cavaliere, and Brian McMillan o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
Director Jason Reitman teamed with first-time screenwriter Diablo Cody to release one of 2007's most surprising smash hits: "Juno," starring Elliot Page, Michael Cera, Jason Batemon, Jennifer Garner, J.K. Simmons and (breath) Allison Janney.
In this episode, Mike and Brian talk iconic characters, when "quirkiness" became cool, what makes a film a "message movie" and if "Juno" fits that bill and, finally, if this indie darling deserves a place in the top five of 2007.
www.bestpicturethis.com
Want to choose an movie for a future episode? BECOME A PATRON.
Agree or disagree with our takes? EMAIL BestPictureThis@gmail.com
And for 16 years of Golden Takes, head over to Letterboxd.
130 episodios
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Similar a Best Picture This
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Bald Move Pulp is where you can get your fix of robots, aliens, action space adventures, and everything in between; on television or on the big screen. Pulp was not made for serious drama, if that’s your thing, you might be looking for Bald Move Prestige.
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continue reading
The Flop House is a comedy podcast devoted to the worst in recent film. Your hosts (Elliott Kalan, Dan McCoy, and Stuart Wellington) watch a questionable film, then engage in an unscripted discussion about the movie's shortcomings and occasional delights, while never being afraid of a pointless, silly digression or two hundred.
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continue reading
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