In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Contenido proporcionado por Mike Cavaliere & Brian McMillan, Mike Cavaliere, and Brian McMillan. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Mike Cavaliere & Brian McMillan, Mike Cavaliere, and Brian McMillan o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
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2006: Flags of Our Fathers / Letters from Iwo Jima
Manage episode 326531205 series 2865408
Contenido proporcionado por Mike Cavaliere & Brian McMillan, Mike Cavaliere, and Brian McMillan. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Mike Cavaliere & Brian McMillan, Mike Cavaliere, and Brian McMillan o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
Director Clint Eastwood released two films in 2006, both about a pivotal battle in World War II -- except, one movie ("Flags of Our Fathers") was told from the American perspective, while the other ("Letters from Iwo Jima") explored the Japanese experience.
In this episode, Mike and Brian discuss what analyzing the two movies through the scope of the multi-film project brings to the experience, which packs a more powerful punch and, what telling a story from a foreign perspective adds to the narrative. Then they decide whether or not to include either title in their top five of the year.
Want to choose an movie for a future episode? BECOME A PATRON.
Agree or disagree with our takes? EMAIL BestPictureThis@gmail.com
And for 16 years of Golden Takes, head over to Letterboxd.
130 episodios
Compartir
Manage episode 326531205 series 2865408
Contenido proporcionado por Mike Cavaliere & Brian McMillan, Mike Cavaliere, and Brian McMillan. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Mike Cavaliere & Brian McMillan, Mike Cavaliere, and Brian McMillan o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
Director Clint Eastwood released two films in 2006, both about a pivotal battle in World War II -- except, one movie ("Flags of Our Fathers") was told from the American perspective, while the other ("Letters from Iwo Jima") explored the Japanese experience.
In this episode, Mike and Brian discuss what analyzing the two movies through the scope of the multi-film project brings to the experience, which packs a more powerful punch and, what telling a story from a foreign perspective adds to the narrative. Then they decide whether or not to include either title in their top five of the year.
Want to choose an movie for a future episode? BECOME A PATRON.
Agree or disagree with our takes? EMAIL BestPictureThis@gmail.com
And for 16 years of Golden Takes, head over to Letterboxd.
130 episodios
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Similar a Best Picture This
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
The Flop House is a comedy podcast devoted to the worst in recent film. Your hosts (Elliott Kalan, Dan McCoy, and Stuart Wellington) watch a questionable film, then engage in an unscripted discussion about the movie's shortcomings and occasional delights, while never being afraid of a pointless, silly digression or two hundred.
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continue reading
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