In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Contenido proporcionado por Mike Cavaliere & Brian McMillan, Mike Cavaliere, and Brian McMillan. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Mike Cavaliere & Brian McMillan, Mike Cavaliere, and Brian McMillan o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
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1975: The #1 Film of All Time: JEANNE DIELMAN
Manage episode 354600618 series 2865408
Contenido proporcionado por Mike Cavaliere & Brian McMillan, Mike Cavaliere, and Brian McMillan. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Mike Cavaliere & Brian McMillan, Mike Cavaliere, and Brian McMillan o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
Coming in at No. 1 on the British Film Institute's recently released Greatest Films of All Time poll was "Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles" (1975), directed by Chantal Ackerman.
Never seen the film? You're not alone. Its placement at the top of the charts was a surprise to many, which made it the perfect place for Mike and Brian to kick off their international cinema blindspotting miniseries.
In this episode, they discuss whether or not mundanity can be a form of awakening and what tedium teaches us about marginalized groups; they debate the film's style and ending; talk agency vs. victimhood; then dig into where "Jeanne Dielman" might palce in their own "greatest films of all time" lists.
Want to choose an movie for a future episode? BECOME A PATRON.
Agree or disagree with our takes? EMAIL bestpicturethis@gmail.com.
130 episodios
Compartir
Manage episode 354600618 series 2865408
Contenido proporcionado por Mike Cavaliere & Brian McMillan, Mike Cavaliere, and Brian McMillan. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Mike Cavaliere & Brian McMillan, Mike Cavaliere, and Brian McMillan o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
Coming in at No. 1 on the British Film Institute's recently released Greatest Films of All Time poll was "Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles" (1975), directed by Chantal Ackerman.
Never seen the film? You're not alone. Its placement at the top of the charts was a surprise to many, which made it the perfect place for Mike and Brian to kick off their international cinema blindspotting miniseries.
In this episode, they discuss whether or not mundanity can be a form of awakening and what tedium teaches us about marginalized groups; they debate the film's style and ending; talk agency vs. victimhood; then dig into where "Jeanne Dielman" might palce in their own "greatest films of all time" lists.
Want to choose an movie for a future episode? BECOME A PATRON.
Agree or disagree with our takes? EMAIL bestpicturethis@gmail.com.
130 episodios
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Similar a Best Picture This
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Our fifth season is Decoding John Ford, a seven-episode series about cinema's most mysterious auteur. Using scores of never-before-heard archival interviews, host Ben Mankiewicz strips back John Ford's self-spun mythology to reveal his brilliance behind the camera – alongside the often ugly, uncomfortable truths about his life and movies, asking whether we can ever truly separate art from the artist. Decoding John Ford starts June 6.
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Bald Move Pulp is where you can get your fix of robots, aliens, action space adventures, and everything in between; on television or on the big screen. Pulp was not made for serious drama, if that’s your thing, you might be looking for Bald Move Prestige.
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Mining the depths of film entertainment for all mankind. With Scott Johnson, Brian Dunaway, Randy Jordan, and Brian Ibbott. Hosted on Acast. See acast.com/privacy for more information.
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continue reading
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continue reading
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continue reading
Comedian and actor Gilbert Gottfried, a man Stephen King once called “a national treasure,” talks with the show business legends, icons and behind-the-scenes talents who shaped his childhood and influenced his comedy. Along with co-host and fellow pop culture fanatic Frank Santopadre, Gilbert is joined by comics, actors, musicians, talk show hosts, writers and other eyewitnesses to Hollywood history, including Bruce Dern, Chevy Chase, “Weird Al” Yankovic, Adam West, Steve Buscemi, Micky Dole ...
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