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BEHIND THE LENS #449: Featuring Anna Elizabeth James

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Manage episode 440292350 series 1458191
Contenido proporcionado por debbie lynn elias and Debbie lynn elias. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente debbie lynn elias and Debbie lynn elias o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
What a fun – and female filmmaker-friendly – week on BEHIND THE LENS thanks to the return of two wonderful filmmakers talking about their latest projects – JENNA ST. JOHN and ANNA ELIZABETH JAMES. First up is my exclusive interview with the fabulously talented screenwriter, JENNA ST. JOHN talking about her latest project, the fun-filled family film STINKY SUMMER. Regular listeners and readers will remember Jenna from her prior live appearances and call-ins to #BTLRadioShow and will recognize that this new film is a far cry from some of her prior works like "Sexpectations" and "Dinner with the Alchemist" (both in which she also stars). STINKY SUMMER is at the opposite end of the spectrum in terms of audience and plot, but still built on Jenna's skill for developing story and fully textured characters. What can possibly happen when you've got a skunk, a camp full of girls, and some international spies on your tail? Answer: a whole lotta laughter and Jenna dives into it all in this conversation. And then writer/director ANNA ELIZABETH JAMES is live talking about her latest movie for Lifetime Television, HELD HOSTAGE IN MY HOUSE. Solid story, interesting construct with the psychological thriller that unfolds, excellent casting, some returning cast and production team from Anna's prior films all make for an interesting and engaging tale. Listen as Anna discusses the idea for the film, creating characters and then casting so that the characters feel real but also are cohesive within the structure of the film. http://eliasentertainmentnetwork.com
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449 episodios

Artwork
iconCompartir
 
Manage episode 440292350 series 1458191
Contenido proporcionado por debbie lynn elias and Debbie lynn elias. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente debbie lynn elias and Debbie lynn elias o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
What a fun – and female filmmaker-friendly – week on BEHIND THE LENS thanks to the return of two wonderful filmmakers talking about their latest projects – JENNA ST. JOHN and ANNA ELIZABETH JAMES. First up is my exclusive interview with the fabulously talented screenwriter, JENNA ST. JOHN talking about her latest project, the fun-filled family film STINKY SUMMER. Regular listeners and readers will remember Jenna from her prior live appearances and call-ins to #BTLRadioShow and will recognize that this new film is a far cry from some of her prior works like "Sexpectations" and "Dinner with the Alchemist" (both in which she also stars). STINKY SUMMER is at the opposite end of the spectrum in terms of audience and plot, but still built on Jenna's skill for developing story and fully textured characters. What can possibly happen when you've got a skunk, a camp full of girls, and some international spies on your tail? Answer: a whole lotta laughter and Jenna dives into it all in this conversation. And then writer/director ANNA ELIZABETH JAMES is live talking about her latest movie for Lifetime Television, HELD HOSTAGE IN MY HOUSE. Solid story, interesting construct with the psychological thriller that unfolds, excellent casting, some returning cast and production team from Anna's prior films all make for an interesting and engaging tale. Listen as Anna discusses the idea for the film, creating characters and then casting so that the characters feel real but also are cohesive within the structure of the film. http://eliasentertainmentnetwork.com
  continue reading

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