Artwork

Contenido proporcionado por American Social History Project/Center for Media and Learning and American Social History Project · Center for Media. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente American Social History Project/Center for Media and Learning and American Social History Project · Center for Media o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
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Visualizing Emancipation and the Postwar South in the Popular and Fine Arts

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Manage episode 199257963 series 1262855
Contenido proporcionado por American Social History Project/Center for Media and Learning and American Social History Project · Center for Media. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente American Social History Project/Center for Media and Learning and American Social History Project · Center for Media o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
Sarah Burns, Indiana UniversityCUNY Graduate Center, July 19, 2016In this discussion, Sarah Burns examines common Civil War narratives in fine arts in this period by examining the work of artists such as William Walker, Thomas Waterman, and Winslow Homer. Burns asks who created the pieces and for what audience and further questioning the works by examining portraits showing a different narrative of African Americans. Ultimately concluding that these works are a contention between white construction and black agency. This talk took place on July 19, 2016, as part of ASHP’s Visual Culture of the Civil War Summer Institute, an NEH professional development program for college and university faculty.
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91 episodios

Artwork
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Manage episode 199257963 series 1262855
Contenido proporcionado por American Social History Project/Center for Media and Learning and American Social History Project · Center for Media. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente American Social History Project/Center for Media and Learning and American Social History Project · Center for Media o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
Sarah Burns, Indiana UniversityCUNY Graduate Center, July 19, 2016In this discussion, Sarah Burns examines common Civil War narratives in fine arts in this period by examining the work of artists such as William Walker, Thomas Waterman, and Winslow Homer. Burns asks who created the pieces and for what audience and further questioning the works by examining portraits showing a different narrative of African Americans. Ultimately concluding that these works are a contention between white construction and black agency. This talk took place on July 19, 2016, as part of ASHP’s Visual Culture of the Civil War Summer Institute, an NEH professional development program for college and university faculty.
  continue reading

91 episodios

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