An investigative podcast hosted by world-renowned literary critic and publishing insider Bethanne Patrick. Book bans are on the rise across America. With the rise of social media, book publishers are losing their power as the industry gatekeepers. More and more celebrities and influencers are publishing books with ghostwriters. Writing communities are splintering because members are at cross purposes about their mission. Missing Pages is an investigative podcast about the book publishing ind ...
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Invisibility and hyper-visibility: Portia Malatjie and Nontobeko Ntombela on curating When Rain Clouds Gather
M4A•Episodio en casa
Manage episode 357342857 series 2411003
Contenido proporcionado por Arts Research Africa. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Arts Research Africa o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
In this dialogue, Prof Christo Doherty of ARA speaks to Dr Portia Malatjie and Nontobeko Ntombela, the curators of When Rain Clouds Gather, an important new exhibition at the Norval Foundation in Cape Town. The exhibition is a reflection on the influential and often unacknowledged contribution of Black Women to South African art history in the 20th Century. Covering the the period from 1940 to the year 2000, the exhibition stages a cross generational communion of 40 Black women artists from early Modernism to the contemporary period.
Portia is a Senior Lecturer in Visual Cultures at the Michaelis School of Fine Arts, University of Cape Town. She is also adjunct curator of Africa and African diaspora at the Hyundai Tate Research Centre at the Tate Modern in London, and is adjunct curator at the Norval Foundation in Cape Town. Nontobeko is a lecturer and Head of the History of Art department in the Wits School of Arts at Wits. Previously she was curator of the Contemporary collection at the Johannesburg Art Gallery and before that was curator at the Durban Institute of Technology Art Gallery.
In this discussion, we explore the curatorial tools and strategies that Portia and Nontobeka deployed in this ambitious undertaking to disrupt existing categories of classification while creating a space to contest the erasure of work by Black women artists in South African art history. We examine the way in which they negotiated the negative effects of both invisibility and hyper-visibility on the understanding of Black women's art and the way in which Black feminism informed their curatorial approach. We also discuss the challenge of understanding curation as a form of creative practice in itself, and its importance as means of making previously suppressed work visible to new audiences.
See:
https://www.norvalfoundation.org/when-rain-clouds-gather/
https://contemporaryand.com/fr/magazines/archives-of-womanhood-and-blackness-in-south-africa/
…
continue reading
Portia is a Senior Lecturer in Visual Cultures at the Michaelis School of Fine Arts, University of Cape Town. She is also adjunct curator of Africa and African diaspora at the Hyundai Tate Research Centre at the Tate Modern in London, and is adjunct curator at the Norval Foundation in Cape Town. Nontobeko is a lecturer and Head of the History of Art department in the Wits School of Arts at Wits. Previously she was curator of the Contemporary collection at the Johannesburg Art Gallery and before that was curator at the Durban Institute of Technology Art Gallery.
In this discussion, we explore the curatorial tools and strategies that Portia and Nontobeka deployed in this ambitious undertaking to disrupt existing categories of classification while creating a space to contest the erasure of work by Black women artists in South African art history. We examine the way in which they negotiated the negative effects of both invisibility and hyper-visibility on the understanding of Black women's art and the way in which Black feminism informed their curatorial approach. We also discuss the challenge of understanding curation as a form of creative practice in itself, and its importance as means of making previously suppressed work visible to new audiences.
See:
https://www.norvalfoundation.org/when-rain-clouds-gather/
https://contemporaryand.com/fr/magazines/archives-of-womanhood-and-blackness-in-south-africa/
50 episodios
M4A•Episodio en casa
Manage episode 357342857 series 2411003
Contenido proporcionado por Arts Research Africa. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Arts Research Africa o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
In this dialogue, Prof Christo Doherty of ARA speaks to Dr Portia Malatjie and Nontobeko Ntombela, the curators of When Rain Clouds Gather, an important new exhibition at the Norval Foundation in Cape Town. The exhibition is a reflection on the influential and often unacknowledged contribution of Black Women to South African art history in the 20th Century. Covering the the period from 1940 to the year 2000, the exhibition stages a cross generational communion of 40 Black women artists from early Modernism to the contemporary period.
Portia is a Senior Lecturer in Visual Cultures at the Michaelis School of Fine Arts, University of Cape Town. She is also adjunct curator of Africa and African diaspora at the Hyundai Tate Research Centre at the Tate Modern in London, and is adjunct curator at the Norval Foundation in Cape Town. Nontobeko is a lecturer and Head of the History of Art department in the Wits School of Arts at Wits. Previously she was curator of the Contemporary collection at the Johannesburg Art Gallery and before that was curator at the Durban Institute of Technology Art Gallery.
In this discussion, we explore the curatorial tools and strategies that Portia and Nontobeka deployed in this ambitious undertaking to disrupt existing categories of classification while creating a space to contest the erasure of work by Black women artists in South African art history. We examine the way in which they negotiated the negative effects of both invisibility and hyper-visibility on the understanding of Black women's art and the way in which Black feminism informed their curatorial approach. We also discuss the challenge of understanding curation as a form of creative practice in itself, and its importance as means of making previously suppressed work visible to new audiences.
See:
https://www.norvalfoundation.org/when-rain-clouds-gather/
https://contemporaryand.com/fr/magazines/archives-of-womanhood-and-blackness-in-south-africa/
…
continue reading
Portia is a Senior Lecturer in Visual Cultures at the Michaelis School of Fine Arts, University of Cape Town. She is also adjunct curator of Africa and African diaspora at the Hyundai Tate Research Centre at the Tate Modern in London, and is adjunct curator at the Norval Foundation in Cape Town. Nontobeko is a lecturer and Head of the History of Art department in the Wits School of Arts at Wits. Previously she was curator of the Contemporary collection at the Johannesburg Art Gallery and before that was curator at the Durban Institute of Technology Art Gallery.
In this discussion, we explore the curatorial tools and strategies that Portia and Nontobeka deployed in this ambitious undertaking to disrupt existing categories of classification while creating a space to contest the erasure of work by Black women artists in South African art history. We examine the way in which they negotiated the negative effects of both invisibility and hyper-visibility on the understanding of Black women's art and the way in which Black feminism informed their curatorial approach. We also discuss the challenge of understanding curation as a form of creative practice in itself, and its importance as means of making previously suppressed work visible to new audiences.
See:
https://www.norvalfoundation.org/when-rain-clouds-gather/
https://contemporaryand.com/fr/magazines/archives-of-womanhood-and-blackness-in-south-africa/
50 episodios
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