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Contenido proporcionado por Nick Petrella and Andy Heise, Nick Petrella, and Andy Heise. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Nick Petrella and Andy Heise, Nick Petrella, and Andy Heise o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
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#246: Ada Witczyk (Violinist) (pt. 1 of 2)

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Manage episode 402422183 series 3554518
Contenido proporcionado por Nick Petrella and Andy Heise, Nick Petrella, and Andy Heise. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Nick Petrella and Andy Heise, Nick Petrella, and Andy Heise o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.

This week on this podcast is part one of our interview with International prize-winning violinist Ada Witczyk. She’s a dual citizen of Poland and Britain, and is the recipient of numerous awards such as the Henry Wood Award, the Star Award by the Countess of Munster Musical Trust, and the Margot MacGibbon Award. As both a modern and baroque violinist, Ada has performed at many of the UK’s most prestigious venues and festivals including Buckingham Palace, Royal Festival Hall, the Barbican and Royal Albert Hall. Ada has performed with renowned ensembles such as the Gabrieli Consort, The English Concert, and The Academy of Ancient Music.
Ada offers a unique perspective on the significance of supporting new music in a society that often favors the old. She delves into her own experiences of inspiring over 150 compositions for the Baroque violin, and shares her insights on the contrast between period and modern instruments. Our conversation also explores the importance of new music for period instruments, shedding light on Ada’s passion for the genre.
But that's not all! Ada also spills the tea on her experiences learning social media marketing and branding. As classical musicians navigate the digital age, she offers her insights on how to connect with new audiences and break free from the perfectionism that can sometimes hinder creativity. Finally, we reflect on the role of mistakes in creating compelling narratives in music and beyond. As always, we appreciate your support for the podcast be it through tuning in, subscribing or spreading the word. Join us for this must-listen episode that promises to intrigue both music enthusiasts and budding artists!

  continue reading

Capíttulos

1. #246: Ada Witczyk (Violinist) (pt. 1 of 2) (00:00:00)

2. Exploring Baroque Violin and Contemporary Composition (00:01:08)

3. Classical Music Audiences and Social Media (00:14:55)

4. Visual Art Process and Support Discussion (00:21:16)

182 episodios

Artwork
iconCompartir
 
Manage episode 402422183 series 3554518
Contenido proporcionado por Nick Petrella and Andy Heise, Nick Petrella, and Andy Heise. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Nick Petrella and Andy Heise, Nick Petrella, and Andy Heise o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.

This week on this podcast is part one of our interview with International prize-winning violinist Ada Witczyk. She’s a dual citizen of Poland and Britain, and is the recipient of numerous awards such as the Henry Wood Award, the Star Award by the Countess of Munster Musical Trust, and the Margot MacGibbon Award. As both a modern and baroque violinist, Ada has performed at many of the UK’s most prestigious venues and festivals including Buckingham Palace, Royal Festival Hall, the Barbican and Royal Albert Hall. Ada has performed with renowned ensembles such as the Gabrieli Consort, The English Concert, and The Academy of Ancient Music.
Ada offers a unique perspective on the significance of supporting new music in a society that often favors the old. She delves into her own experiences of inspiring over 150 compositions for the Baroque violin, and shares her insights on the contrast between period and modern instruments. Our conversation also explores the importance of new music for period instruments, shedding light on Ada’s passion for the genre.
But that's not all! Ada also spills the tea on her experiences learning social media marketing and branding. As classical musicians navigate the digital age, she offers her insights on how to connect with new audiences and break free from the perfectionism that can sometimes hinder creativity. Finally, we reflect on the role of mistakes in creating compelling narratives in music and beyond. As always, we appreciate your support for the podcast be it through tuning in, subscribing or spreading the word. Join us for this must-listen episode that promises to intrigue both music enthusiasts and budding artists!

  continue reading

Capíttulos

1. #246: Ada Witczyk (Violinist) (pt. 1 of 2) (00:00:00)

2. Exploring Baroque Violin and Contemporary Composition (00:01:08)

3. Classical Music Audiences and Social Media (00:14:55)

4. Visual Art Process and Support Discussion (00:21:16)

182 episodios

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