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Contenido proporcionado por Steve Hullfish, ACE, Steve Hullfish, and ACE. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Steve Hullfish, ACE, Steve Hullfish, and ACE o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
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SATURDAY NIGHT

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Manage episode 445581493 series 3485936
Contenido proporcionado por Steve Hullfish, ACE, Steve Hullfish, and ACE. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Steve Hullfish, ACE, Steve Hullfish, and ACE o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.

Today on Art of the Cut, editors Nathan Orloff and Shane Reid discuss editing Jason Reitman’s Saturday Night - a film recounting the chaos just before going LIVE with the first episode of Saturday Night Live.

Nathan Orloff has been on Art of the Cut before, most recently for his work on Deadpool/Wolverine. He also joined us for his previous collaborations with Reitman on Ghostbusters: Frozen Empire and Ghostbusters: Afterlife He was also on for editing John Wick 4.

Shane Reid was also on Art of the Cut with Nathan for Deadpool/Wolverine and for Ghostbusters: Frozen Empire. Shane also edited the Nick Cave documentary, One More Time with Feeling.

Today we’re going to be talking about Reitman’s commitment to his highly choreographed long takes, how there was no temp score because composer Jon Batiste was actually recording the score ON THE SET, and creating the dynamics between chaos and quiet.

If you want to follow along with this interview, you may read it and see exclusive photos and clips and trailers from the movie here:

borisfx.com/blog/aotc

  continue reading

124 episodios

Artwork

SATURDAY NIGHT

Art of the Cut

published

iconCompartir
 
Manage episode 445581493 series 3485936
Contenido proporcionado por Steve Hullfish, ACE, Steve Hullfish, and ACE. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Steve Hullfish, ACE, Steve Hullfish, and ACE o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.

Today on Art of the Cut, editors Nathan Orloff and Shane Reid discuss editing Jason Reitman’s Saturday Night - a film recounting the chaos just before going LIVE with the first episode of Saturday Night Live.

Nathan Orloff has been on Art of the Cut before, most recently for his work on Deadpool/Wolverine. He also joined us for his previous collaborations with Reitman on Ghostbusters: Frozen Empire and Ghostbusters: Afterlife He was also on for editing John Wick 4.

Shane Reid was also on Art of the Cut with Nathan for Deadpool/Wolverine and for Ghostbusters: Frozen Empire. Shane also edited the Nick Cave documentary, One More Time with Feeling.

Today we’re going to be talking about Reitman’s commitment to his highly choreographed long takes, how there was no temp score because composer Jon Batiste was actually recording the score ON THE SET, and creating the dynamics between chaos and quiet.

If you want to follow along with this interview, you may read it and see exclusive photos and clips and trailers from the movie here:

borisfx.com/blog/aotc

  continue reading

124 episodios

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