In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Contenido proporcionado por Steve Hullfish, ACE, Steve Hullfish, and ACE. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Steve Hullfish, ACE, Steve Hullfish, and ACE o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
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If you're like Matt Gourley (Superego, Drunk History, Conan O'Brien Needs A Friend), then you know all the classic movie and television scenes so well it's like you were in the room when they happened. Well, you weren't. And neither was he. But the people Matt interviews were! Listen in as they tell the inside stories of how cinema and television history was made from a fly-on-the-wall perspective you've never heard. Hosted on Acast. See acast.com/privacy for more information.
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Manage episode 393504124 series 3485936
Contenido proporcionado por Steve Hullfish, ACE, Steve Hullfish, and ACE. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Steve Hullfish, ACE, Steve Hullfish, and ACE o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
Today on Art of the Cut, we’re talking with Oscar-winning editor, Pietro Scalia, ACE about editing Michael Mann’s Ferrari.
Scalia won the Oscar and an ACE Eddie for JFK. Was nominated for an Oscar and an ACE Eddie for Good Will Hunting. Won a BAFTA and an ACE Eddie and was nominated for an Oscar for Gladiator. Won an Oscar and an ACE Eddie and was nominated for a BAFTA for Black Hawk Down. Nominated for another BAFTA for American Gangster. And was nominated for a BAFTA and an ACE Eddie for The Martian.
Pietro has been on Art of the Cut before to discuss his work on The Martian and Alien Covenant. Pietro’s other work includes Solo: A Star Wars Story, and The Amazing Spider-Man 1 and 2.
124 episodios
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Manage episode 393504124 series 3485936
Contenido proporcionado por Steve Hullfish, ACE, Steve Hullfish, and ACE. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Steve Hullfish, ACE, Steve Hullfish, and ACE o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
Today on Art of the Cut, we’re talking with Oscar-winning editor, Pietro Scalia, ACE about editing Michael Mann’s Ferrari.
Scalia won the Oscar and an ACE Eddie for JFK. Was nominated for an Oscar and an ACE Eddie for Good Will Hunting. Won a BAFTA and an ACE Eddie and was nominated for an Oscar for Gladiator. Won an Oscar and an ACE Eddie and was nominated for a BAFTA for Black Hawk Down. Nominated for another BAFTA for American Gangster. And was nominated for a BAFTA and an ACE Eddie for The Martian.
Pietro has been on Art of the Cut before to discuss his work on The Martian and Alien Covenant. Pietro’s other work includes Solo: A Star Wars Story, and The Amazing Spider-Man 1 and 2.
124 episodios
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Similar a Art of the Cut
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
…
continue reading
Mining the depths of film entertainment for all mankind. With Scott Johnson, Brian Dunaway, Randy Jordan, and Brian Ibbott. Hosted on Acast. See acast.com/privacy for more information.
…
continue reading
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…
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continue reading
Determining if all these so called classic films are indeed just that.
…
continue reading
DumTeeDum is a weekly podcast about The Archers featuring fans of Ambridge. Hosted on Acast. See acast.com/privacy for more information.
…
continue reading
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…
continue reading
We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
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…
continue reading
If you're like Matt Gourley (Superego, Drunk History, Conan O'Brien Needs A Friend), then you know all the classic movie and television scenes so well it's like you were in the room when they happened. Well, you weren't. And neither was he. But the people Matt interviews were! Listen in as they tell the inside stories of how cinema and television history was made from a fly-on-the-wall perspective you've never heard. Hosted on Acast. See acast.com/privacy for more information.
…
continue reading
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