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Contenido proporcionado por ANAM Radio and Australian National Academy of Music. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente ANAM Radio and Australian National Academy of Music o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
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Antheil's Ballet Mécanique (Ep 16 2020)

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Contenido proporcionado por ANAM Radio and Australian National Academy of Music. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente ANAM Radio and Australian National Academy of Music o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
Episode 16, 2020: Antheil’s Ballet Mécanique Wednesday 18 November 2020 For ANAM Radio’s final 2020 episode, Phil Lambert (ANAM Music Librarian) and Peter Neville (ANAM Head of Percussion) talk about one of the 20th Century’s unique, bizarre and outrageous compositions, George Antheil’s Ballet Mécanique. Born in New Jersey, Antheil found himself in Paris in the 1920s along with other great American modernists of the time. In 1922, Antheil met Russian composer Igor Stravinsky who then had an idea of writing a piece for the pianola. The following year, Antheil came up with his own composition for 16 pianolas and percussion. Ballet Mécanique was premiered at the Théâtre des Champs-Élysées in 1926 to a sold-out concert attended by James Joyce and TS Elliott, but his eclectic musical experiments proved to be harder to pull off during his time resulting to a riot performance. After not being able to keep up with the complexity of the composition, it was believed that Antheil never tried to make anything as ambitious again and became a more conventional composer. Ballet Mécanique was conducted by Peter Neville and performed by ANAM musicians and guest artists in 2016. To watch the video recording of this performance, visit https://www.youtube.com/watch?v=saNoUX7o-pY&feature=youtu.be
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13 episodios

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Fetch error

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Manage episode 277908033 series 1192534
Contenido proporcionado por ANAM Radio and Australian National Academy of Music. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente ANAM Radio and Australian National Academy of Music o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
Episode 16, 2020: Antheil’s Ballet Mécanique Wednesday 18 November 2020 For ANAM Radio’s final 2020 episode, Phil Lambert (ANAM Music Librarian) and Peter Neville (ANAM Head of Percussion) talk about one of the 20th Century’s unique, bizarre and outrageous compositions, George Antheil’s Ballet Mécanique. Born in New Jersey, Antheil found himself in Paris in the 1920s along with other great American modernists of the time. In 1922, Antheil met Russian composer Igor Stravinsky who then had an idea of writing a piece for the pianola. The following year, Antheil came up with his own composition for 16 pianolas and percussion. Ballet Mécanique was premiered at the Théâtre des Champs-Élysées in 1926 to a sold-out concert attended by James Joyce and TS Elliott, but his eclectic musical experiments proved to be harder to pull off during his time resulting to a riot performance. After not being able to keep up with the complexity of the composition, it was believed that Antheil never tried to make anything as ambitious again and became a more conventional composer. Ballet Mécanique was conducted by Peter Neville and performed by ANAM musicians and guest artists in 2016. To watch the video recording of this performance, visit https://www.youtube.com/watch?v=saNoUX7o-pY&feature=youtu.be
  continue reading

13 episodios

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