One of the great rewards of "weirding" the world is learning that boredom may be a kind of ethical transgression—the world is simply too strange to allow for it, and if you're bored, you're at least partly to blame. Few have put this notion to the test as rigorously as Lionel Snell, whose work as a magician celebrates the wonders of everyday events…

Earlier this month, Phil and JF recorded a live episode at Indiana University Cinema in Bloomington following a screening of John Carpenter's film In the Mouth of Madness. Carpenter’s cult classic obliterates the boundary between reality and fiction, madness and revelation—an ideal subject for a Weird Studies conversation. In this episode, recorded…

Fairy tales are among the most familiar cultural objects, so familiar that we let our kids play with them unsupervised. At the same time, they are also the most mysterious of artifacts, their heimlich giving way to unheimlich as soon as we give them a closer look and ask ourselves what they are really about. Indeed, these imaginal nomads, which see…

Comics, like cinema, is an eminently modern medium. And as with cinema, looking closely at it can swiftly acquaint us with the profound weirdness of modernity. Do that in the context of a discussion on Charles Burns' comic masterpiece Black Hole, and you're guaranteed a memorable Weird Studies episode. Black Hole was serialized over ten years begin…

Every off-week, listeners who have chosen to support Weird Studies by joining our Patreon at the Listener's Tier get to enjoy a bonus episode. These episodes are different from the flagship show. Less formal and entirely improvised, they offer Phil and JF a different way of exploring the weird in art, philosophy and culture. To tide our listenershi…

Daphne du Maurier was a prolific English writer of novels, plays, and short stories resonant with what she termed "a sense of unreality." In this episode, JF and Phil discuss her great short story "Don't Look Now," which Nicholas Roeg famously adapted to the screen in 1973 in a film starring Donald Sutherland and Julie Christie. Recorded live at Sh…

Phil and JF are joined by Alan Chapman and Duncan Barford – practicing magicians, podcasters, and co-authors of the newly released Baptist's Head Compendium: Magick as a Path to Enlightenment, a collection of essays and reports from their famous occult blog, The Baptist's Head. Duncan and Alan are accomplished practitioners with deep insights into …

In this computerized age, we tend to see memory as a purely cerebral faculty. To memorize is to store information away in the brain in such a way as to make it retrievable at a later time. But the old expression "knowing by heart" calls us to a stranger, more embodied and mysterious take on memory. In this episode, Phil and JF endeavour to recite t…

The Hanged Man is arguably the most enigmatic card in the traditional tarot deck. Divested of any archetypal apparel – he is neither emperor nor fool, but just a man, who happens to be hanging – he gazes back at us with the look of one who harbors a secret. But what sort of secret? In this episode, JF and Phil discuss the card that no less august a…

This week on Weird Studies, Phil and JF explore the intersections of the beautiful and the terrible in art and literature. There is a conventional beauty that calms and placates, and there is a radical beauty which, taking horror’s pale-gloved hand, gives up all pretense to permanence and fixity and joins the danse macabre of our endless becoming. …

Orson Welles made F for Fake in the early seventies, while still bobbing in the wake of a Pauline Kael essay accusing him of being cinema's greatest fraud. Ostensibly a documentary on the famous art forger Elmyr de Hory and his biographer Clifford Irving (a talented faker in his own right), the film blurs the line between fact and fiction in an eff…

The ongoing crackdown on protests at many American universities prompts a discussion on the politics, ethics, and metaphysics of free expression. Support us on Patreon. Buy the Weird Studies soundtrack, volumes 1 and 2, on Pierre-Yves Martel's Bandcamp page. Listen to Meredith Michael and Gabriel Lubell's podcast, Cosmophonia. Visit the Weird Studi…

There are artists who express the vision of a place, person, or thing so vividly and originally that it sets the bar for all future imaginings. With his four Mad Max films, this is what George Miller did with the image of the Wasteland. No one has been able to capture the stark, raw energy and chaotic beauty of a post-apocalyptic desert quite like …

Ithell Colquhoun (1906-1988) was a British painter, poet, and occultist, long identified as a pioneer of the Surrealist movement in the UK. While her work is increasingly recognized for its mystical themes and innovative use of automatic techniques, deeply influenced by her esoteric studies, it also inspired extensive research on its broader cultur…

In culture and the arts, labeling something you don't like (or don't understand) "pretentious" is the easy way out. It's a conversation killer, implying that any dialogue is pointless, and those who disagree are merely duped by what you've cleverly discerned as a charade. It's akin to cynically revealing that a magic show is all smoke and mirrors—a…

"Let the red dawn surmise / What we shall do, / When the blue starlight dies / And all is through." This short poem, an epigraph to "The Yellow Sign," arguably the most memorable tale in Robert W. Chambers' 1895 collection The King in Yellow, encapsulates in four brief lines the affect that drives cosmic horror: the fearful sense of imminent annihi…

What is expressionism? A school? A movement? A philosophy? At the end of this episode, Phil and JF agree that it is, above all, a sensibility, one that surfaces periodically in history, punctuating it with occasional bursts of frenetic colour and eruptions of light and shadow. Whenever it appears, expressionism challenges our tendency to divide the…