In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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When to Buy a Reference Monitor and Trends in Reference Display Technology for 2014
MP3•Episodio en casa
Manage episode 120450496 series 63904
Contenido proporcionado por Tom Parish. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Tom Parish o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
If you fancy yourself a digital creative, video editor, special effects person, colorist, producer, or filmmaker (or maybe all of these together), then sooner or later you come to the question – When should I purchase a reference display monitor? Why should I even bother? Bram Desmet, CEO of Flanders Scientific Inc., answers these questions along with some enlightening conversation around his insights in the rapidly changing area of display technology and display calibration trends for 2014. If you have a professional emphasis to constantly improve your craft, then improving the quality of your post-production work is critical, and using a calibrated reference monitor is one of your keys to success. Even if most of what you do right now is create, edit, or color content for the web, there are compelling reasons to use a reference monitor. Sooner or later you will be touching content destined for cable, broadcast, and theatre audiences. Your confidence in the color accuracy of your work is closely tied to the reputation you’re building. I hope you find this conversation helpful. I learned a lot myself.
…
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37 episodios
MP3•Episodio en casa
Manage episode 120450496 series 63904
Contenido proporcionado por Tom Parish. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Tom Parish o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
If you fancy yourself a digital creative, video editor, special effects person, colorist, producer, or filmmaker (or maybe all of these together), then sooner or later you come to the question – When should I purchase a reference display monitor? Why should I even bother? Bram Desmet, CEO of Flanders Scientific Inc., answers these questions along with some enlightening conversation around his insights in the rapidly changing area of display technology and display calibration trends for 2014. If you have a professional emphasis to constantly improve your craft, then improving the quality of your post-production work is critical, and using a calibrated reference monitor is one of your keys to success. Even if most of what you do right now is create, edit, or color content for the web, there are compelling reasons to use a reference monitor. Sooner or later you will be touching content destined for cable, broadcast, and theatre audiences. Your confidence in the color accuracy of your work is closely tied to the reputation you’re building. I hope you find this conversation helpful. I learned a lot myself.
…
continue reading
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