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Contenido proporcionado por David Naimon, Tin House Books, David Naimon, and Tin House Books. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente David Naimon, Tin House Books, David Naimon, and Tin House Books o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
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Isabella Hammad : Recognizing the Stranger : On Palestine and Narrative

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Manage episode 441594254 series 1720641
Contenido proporcionado por David Naimon, Tin House Books, David Naimon, and Tin House Books. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente David Naimon, Tin House Books, David Naimon, and Tin House Books o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.

Today’s conversation with Isabella Hammad is truly like no other on the show in its fourteen year history. The main text of her book is the speech she delivered for the Edward Said Memorial Lecture in September of 2023. A remarkable speech called “Recognizing the Stranger” which looks at the middle of narratives, at turning points, recognition scenes and epiphanies; which explores the intersection of aesthetics and ethics, words and actions, and the role of the writer in the political sphere; and which complicates the relationship between self and other, the familiar and the stranger. It does all of this in the spirit of Said’s humanistic vision, reaching for narrative forms that can best reflect Palestinian lived experiences. Hammad delivered this speech, however, nine days before October 7th. The response of Israel, and the West at large, prompted her to write an afterword, an afterword that is a third of the book entire. Hammad herself had had her own turning point, her own recognition scene, where the terms of her own analysis had irrevocably changed. The afterword reflects this change, sitting at a right angle to the speech itself. The book as a whole captures this turning point within a writer in real time, preserving the gap between two selves, and we explore both on their own terms.

If you enjoyed today’s conversation, consider joining the Between the Covers community as a listener-supporter. One possible supporter benefit to choose from is access to the bonus audio archive. Isabella Hammad has contributed an extended reading from writer and political prisoner Walid Daqqa’s letter “Parallel Time.” This letter hasn’t been published in English but it was, in 2014, adapted to the stage in Haifa under the same name. The Israeli culture ministry, in response, defunded the theater. To learn how to subscribe to the bonus audio, and about the many other possible rewards to choose from, head over to the show’s Patreon page.

Finally here is today’s BookShop.

The post Isabella Hammad : Recognizing the Stranger : On Palestine and Narrative appeared first on Tin House.

  continue reading

303 episodios

Artwork
iconCompartir
 
Manage episode 441594254 series 1720641
Contenido proporcionado por David Naimon, Tin House Books, David Naimon, and Tin House Books. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente David Naimon, Tin House Books, David Naimon, and Tin House Books o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.

Today’s conversation with Isabella Hammad is truly like no other on the show in its fourteen year history. The main text of her book is the speech she delivered for the Edward Said Memorial Lecture in September of 2023. A remarkable speech called “Recognizing the Stranger” which looks at the middle of narratives, at turning points, recognition scenes and epiphanies; which explores the intersection of aesthetics and ethics, words and actions, and the role of the writer in the political sphere; and which complicates the relationship between self and other, the familiar and the stranger. It does all of this in the spirit of Said’s humanistic vision, reaching for narrative forms that can best reflect Palestinian lived experiences. Hammad delivered this speech, however, nine days before October 7th. The response of Israel, and the West at large, prompted her to write an afterword, an afterword that is a third of the book entire. Hammad herself had had her own turning point, her own recognition scene, where the terms of her own analysis had irrevocably changed. The afterword reflects this change, sitting at a right angle to the speech itself. The book as a whole captures this turning point within a writer in real time, preserving the gap between two selves, and we explore both on their own terms.

If you enjoyed today’s conversation, consider joining the Between the Covers community as a listener-supporter. One possible supporter benefit to choose from is access to the bonus audio archive. Isabella Hammad has contributed an extended reading from writer and political prisoner Walid Daqqa’s letter “Parallel Time.” This letter hasn’t been published in English but it was, in 2014, adapted to the stage in Haifa under the same name. The Israeli culture ministry, in response, defunded the theater. To learn how to subscribe to the bonus audio, and about the many other possible rewards to choose from, head over to the show’s Patreon page.

Finally here is today’s BookShop.

The post Isabella Hammad : Recognizing the Stranger : On Palestine and Narrative appeared first on Tin House.

  continue reading

303 episodios

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