In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Contenido proporcionado por Max, Mike; Movies and Mike; Movies. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Max, Mike; Movies and Mike; Movies o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
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Episode 272 – The World’s End (2013)
Manage episode 394010206 series 2403133
Contenido proporcionado por Max, Mike; Movies and Mike; Movies. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Max, Mike; Movies and Mike; Movies o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
Our entry in our series “What’s So Funny?” this week is the third in the famous (or infamous) Cornetto Trilogy from Simon Pegg, Nick Frost, and Edgar Wright. Sadly, we’ve skipped right over “Shaun of the Dead” and “Hot Fuzz” (for now) but we’re focusing on this rather odd, surprisingly emotionally complex comedy. This film starts as a High-School-Friends-Reunited-in-Bittersweet-Circumstances story and then very suddenly veers into . . . well, let’s just say: some other sorts of stories. Featuring a stellar cast and sharp writing, this is still probably the most divisive of the Cornetto Trilogy: some folks loved it, some really didn’t. Give a listen and see what we thought. Barkeep! Two pints of bitter, over here! Mike, you want anything?
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Manage episode 394010206 series 2403133
Contenido proporcionado por Max, Mike; Movies and Mike; Movies. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Max, Mike; Movies and Mike; Movies o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
Our entry in our series “What’s So Funny?” this week is the third in the famous (or infamous) Cornetto Trilogy from Simon Pegg, Nick Frost, and Edgar Wright. Sadly, we’ve skipped right over “Shaun of the Dead” and “Hot Fuzz” (for now) but we’re focusing on this rather odd, surprisingly emotionally complex comedy. This film starts as a High-School-Friends-Reunited-in-Bittersweet-Circumstances story and then very suddenly veers into . . . well, let’s just say: some other sorts of stories. Featuring a stellar cast and sharp writing, this is still probably the most divisive of the Cornetto Trilogy: some folks loved it, some really didn’t. Give a listen and see what we thought. Barkeep! Two pints of bitter, over here! Mike, you want anything?
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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