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Episode 109: The DNA Of Film - Nova Paul, Jamie Berry, Jae Hoon Lee

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Manage episode 349185241 series 1333770
Contenido proporcionado por CIRCUIT CAST. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente CIRCUIT CAST o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
In this conversation host Mark Williams meets three artists who discuss the intersection of filmic technologies with living world of mauri, whakapapa and spiritual practice. Nova Paul's Rākau (2022) is a 16mm film of Pūriri trees. Paul created a film developer solution from foliage discarded by the trees themselves, bringing the image from negative to postive, creating a cyclical portrait of the Pūriri. Jamie Berry’s Whakapapa Algorhythms (2021) is a montage of archival home movies, recent digital animation and a constant pulsing score which was written by sequencing the artists own DNA. Jae Hoon Lee's Dark Matter (2022) continues his preoccupation with new technology as a vehicle to transform organic matter, presenting a series of pulsing coals, crystal and other mineral deposits. This conversation was recorded for the 2022 Screen Studies Association of New Zealand conference The Materiality of Screen Media.
  continue reading

128 episodios

Artwork
iconCompartir
 
Manage episode 349185241 series 1333770
Contenido proporcionado por CIRCUIT CAST. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente CIRCUIT CAST o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
In this conversation host Mark Williams meets three artists who discuss the intersection of filmic technologies with living world of mauri, whakapapa and spiritual practice. Nova Paul's Rākau (2022) is a 16mm film of Pūriri trees. Paul created a film developer solution from foliage discarded by the trees themselves, bringing the image from negative to postive, creating a cyclical portrait of the Pūriri. Jamie Berry’s Whakapapa Algorhythms (2021) is a montage of archival home movies, recent digital animation and a constant pulsing score which was written by sequencing the artists own DNA. Jae Hoon Lee's Dark Matter (2022) continues his preoccupation with new technology as a vehicle to transform organic matter, presenting a series of pulsing coals, crystal and other mineral deposits. This conversation was recorded for the 2022 Screen Studies Association of New Zealand conference The Materiality of Screen Media.
  continue reading

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