Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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Contenido proporcionado por Scott Fugger & Sound Talent Media, Scott Fugger, and Sound Talent Media. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Scott Fugger & Sound Talent Media, Scott Fugger, and Sound Talent Media o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
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Episode One Hundred Twelve - Pictora Vark
MP3•Episodio en casa
Manage episode 325585740 series 2909813
Contenido proporcionado por Scott Fugger & Sound Talent Media, Scott Fugger, and Sound Talent Media. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Scott Fugger & Sound Talent Media, Scott Fugger, and Sound Talent Media o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
Pictoria Vark's The Parts I Dread is one hell of a debut. Intentional, spacious, and intimate, this bass-centered music doesn't quite have a singular point of comparison - but that just makes it even better. Our conversation hits on this unique space her music fills, using additional instrumentation to further storytelling, balancing her solo work while being a hired bassist for touring bands, and a whole lot more. Pictora Vark: Spotify | Twitter | Instagram | Merch | Bandcamp Fly On The Call is brought to you by Sound Talent Media in partnership with Evergreen Podcasts and promoted in conjunction with The Alternative. Artwork by Mikaela Jane. Theme song by Jhariah. Learn more about your ad choices. Visit megaphone.fm/adchoices
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116 episodios
MP3•Episodio en casa
Manage episode 325585740 series 2909813
Contenido proporcionado por Scott Fugger & Sound Talent Media, Scott Fugger, and Sound Talent Media. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Scott Fugger & Sound Talent Media, Scott Fugger, and Sound Talent Media o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
Pictoria Vark's The Parts I Dread is one hell of a debut. Intentional, spacious, and intimate, this bass-centered music doesn't quite have a singular point of comparison - but that just makes it even better. Our conversation hits on this unique space her music fills, using additional instrumentation to further storytelling, balancing her solo work while being a hired bassist for touring bands, and a whole lot more. Pictora Vark: Spotify | Twitter | Instagram | Merch | Bandcamp Fly On The Call is brought to you by Sound Talent Media in partnership with Evergreen Podcasts and promoted in conjunction with The Alternative. Artwork by Mikaela Jane. Theme song by Jhariah. Learn more about your ad choices. Visit megaphone.fm/adchoices
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116 episodios
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