SOBERBIUS #117 Guest Mix Erlyk

Soberbius Podcast

-- SOBERBIUS #117 -- -- Guest Mix Erlyk -- -_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_ LINKS: 🔘 https://linktr.ee/soberbius 🔘 Biografía Javier, chico de nacimiento en Toledo tiene su primera toma de contacto con la música electrónica con tan solo 16 años asistiendo como publico a la mítica sala Family Club (Toledo), desde el primer día que piso ese club sabia que su vida iba a girar en torno al Techno y pronto se hizo con su primera mesa de mezclas y los primeros Technics para asir realizar sus primeras mezclas acercándose a las tiendas de discos de Madrid a gastarse parte del sueldo mensual que cobraba. Desde sus inicios nunca le han gustado las etiquetas a la hora de tocar por los que sus sets de aquella época te podían sorprender desde el Techno mas puro a lo que en aquella época aun no tenia ni nombre y en un futuro se lo llamo como Schranz. Gracias a su versatilidad a los platos el artista que por aquel entonces se hacia llamar como Dejota Keny para los sonidos mas rudos y Kenyata cuando veía mas recomendable bajar los BPM ́s, pronto empezó a ser demandado tanto por los clubs de la zona centro de España como para tocar en las mas salvajes free parties que se realizaban. Mientras Kenyata llego a tocar en sitios como Family Club (Toledo), Penelope (Madrid), Pirandello (Madrid), Taboo (Madrid) o Aqua (Toledo) por nombrar algunos y compartiendo line up con artistas de renombre como Richie Hawtin, James Holdem, Kevin Saunderson, Ben Sims, James Ruskin, Mark Broom, Oscar Mulero, Cristian Varela y un largo etc... Dejota Keny formaba 2 de los colectivos mas famosos de Madrid, llamados Trauma y Aki no hay Playa y realizando free parties a las que asistían mas de 2.000 personas desplazadas desde todo los puntos del país y contratando a artistas internacionales de los géneros mas duros de la escena electrónica como es el Schranz, Hardtek o Tekno como Dj Hammond, Acid Flux o Lexis por ejemplo. Sobre el 2010 estando en su mejor momento de su carrera decide unirse con su mejor amigo y formar el duo llamado Move It, esta vez bajando los BPM ́s al ritmo del Tech House y lo que empezó como un simple B2B fue derivando con el paso del tiempo en algo mas serio convirtiéndose en un híbrido entre Live y Dj set donde empezaron a mezclar sonidos mas Deep, Tech, Minimal o techno convirtiéndolos en una caja de sorpresas cada vez que ambos pisaban una cabina adaptándose como camaleones a la situación o club donde fueran. Esa gran epoca duro 7 años y les hizo en tocar en grandes eventos como Reverse (Madrid), Replay (Madrid), Magnum Night (Madrid), Suara Night (Madrid) y clubs como Family Club (Toledo), Sankeys (Ibiza), Privilege (Ibiza), La Riviera (Madrid), Groove (Madrid), Studio 76 (Madrid), Fever (Bilbao) y muchos mas, llegando a realizar Warm up a grandes artistas como Carl Cox, Technasia, Art Department, Karotte, Uner, Coyu o Ramiro Lopez por citar algunos y llegaron a editar música juntos en sellos como El Row, Pornographic, 808 Recordings o Techaway Records. En 2017 deciden tomar caminos diferentes y poner punto y final a Move It y entonces es cuando nace J.Moreno, dejando de lado el techo y volviendo a centrar en sonidos mas duros y oscuros volviendo un poco a sus raíces pero esta vez con matices mas melódicos y no tan subidos de bpm ́s. Este proyecto por motivos personales no dura mas de un año, pero aun así consigue tocar de nuevo en Family Club (Toledo), Studio 76 (Madrid), Sala Even (Sevilla) e incluso en el 15 aniversario de Fabrik (Madrid), tocando es una se sus carpas junto a su amigo Backsy, la cual estaba abarrotada convirtiéndose en el día mas memorable de toda su carrera. A los pocos meses de ese gran evento decide apartarse un poco de la escena para así centrarse mas en el y sus seres queridos. Tras un largo break de un año, en 2019 empieza a darse cuenta que su vida sin la música no es una vida completa con lo que empieza a experimentar en el estudio y apuntando a a academias de teoría musical para empezar a moldear lo que es a día de hoy su sonido.Un sonido Techno con matices melodicos repleto de sintetizadores que te transportan a otro mundo durante cada minuto de cada track. Tras un año de aprendizaje y varios proyectos de prueba y error, a principios del 2020 se siente lo bastante seguro como para dar a conocer lo que es su proyecto mas personal hasta la fecha, Erlyk. Tras firmar su primer Ep por Over Records su intención era empezar a cerrar fechas para dar a conocer su nuevo proyecto, con varias fechas cerradas a lo largo del año su deseo se vio frustrado por el Covid 19 no quedando otra para el que seguir moldeando en el estudio ese sonido que tanto le caracteriza y prepararse para todo esto mejore estar en su mejor momento y poder demostrar al mundo su madurez y bien hacer. Aun con el año tan malo que todo el mundo tuvo consiguió editar ademas de en Over Records, en Green Kiwi Records un remix y un Ep. Este 2021 empezo editando un Ep en Addeepted, sello del gran Gaston Zani y empezando un nuevo proyecto de aprendizaje con MBA (Music Business Academy) donde le enseñaran a llevar su carrera profesional a otro nivel aprendiendo los entresijos de esta gran industria de las gente mas profesional y capacitada del sector. ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: Biography Javier, a boy born in Toledo, has his first contact with electronic music with only 16 years attending as a public the mythical Family Club room (Toledo), from the first day he stepped into that club he knew that his life was going to turn around Techno and soon he got his first mixer and the first Technics to make his first mixes by going to the record stores in Madrid to spend part of the monthly salary he received. Since its inception he has never liked labels when it comes to playing for which his sets of that time could surprise you from the purest Techno to what at that time did not even have a name and in the future he will be called as Schranz . Thanks to his versatility to the dishes, the artist who at that time was called Dejota Keny for the roughest sounds and Kenyata when he saw it as more advisable to lower the BPM's, soon began to be demanded by both the clubs in the central area of ​​Spain. like to play in the wildest free parties that were held. While Kenyata got to play in places like Family Club (Toledo), Penelope (Madrid), Pirandello (Madrid), Taboo (Madrid) or Aqua (Toledo) to name a few and sharing a line up with renowned artists such as Richie Hawtin, James Holdem , Kevin Saunderson, Ben Sims, James Ruskin, Mark Broom, Oscar Mulero, Cristian Varela and a long etc ... Dejota Keny formed 2 of the most famous groups in Madrid, called Trauma and Aki no hay Playa and holding free parties attended by more than 2,000 displaced people from all over the country and hiring international artists of the toughest genres in the world. electronic scene like Schranz, Hardtek or Tekno like Dj Hammond, Acid Flux or Lexis for example. About 2010, being in his best moment of his career, he decided to join with his best friend and form the duo called Move It, this time lowering the BPM's to the rhythm of the Tech House and what began as a simple B2B was drifting with the passage of the time in something more serious becoming a hybrid between Live and Dj set where they began to mix sounds more Deep, Tech, Minimal or techno turning them into a box of surprises every time they both stepped on a booth adapting like chameleons to the situation or club where they were . That great time lasted 7 years and made them play in major events such as Reverse (Madrid), Replay (Madrid), Magnum Night (Madrid), Suara Night (Madrid) and clubs such as Family Club (Toledo), Sankeys (Ibiza), Privilege (Ibiza), La Riviera (Madrid), Groove (Madrid), Studio 76 (Madrid), Fever (Bilbao) and many more, getting to warm up great artists such as Carl Cox, Technasia, Art Department, Karotte, Uner , Coyu or Ramiro Lopez to name a few and they came to edit music together on labels such as El Row, Pornographic, 808 Recordings or Techaway Records. In 2017 they decided to take different paths and put an end to Move It and that is when J.Moreno was born, leaving aside the ceiling and returning to focus on harder and darker sounds, returning a little to their roots but this time with more nuances. melodic and not so high from bpm's. This project for personal reasons does not last more than a year, but even so he manages to play again at Family Club (Toledo), Studio 76 (Madrid), Sala Even (Seville) and even on the 15th anniversary of Fabrik (Madrid), playing It is one of his tents with his friend Backsy, which was crowded making it the most memorable day of his entire career. A few months after that great event, he decides to move away from the scene a bit in order to focus more on him and his loved ones. After a long break of a year, in 2019 he begins to realize that his life without music is not a complete life with what he begins to experiment in the studio and pointing to music theory academies to start shaping what he is today Today's sound, a Techno sound with melodic nuances full of synthesizers that transport you to another world during every minute of each track. After a year of learning and several trial and error projects, at the beginning of 2020 he feels confident enough to unveil what is his most personal project to date, Erlyk. After signing his first Ep for Over Records, his intention was to start closing dates to publicize his new project, with several dates closed throughout the year his desire was frustrated by Covid 19, leaving no other to continue molding in studying that sound that characterizes you so much and preparing for all this improves being at your best and being able to demonstrate to the world your maturity and well-doing. Even with the year so bad that everyone had managed to edit in addition to Over Records, Green Kiwi Records a remix and an Ep. This 2021 he started editing an Ep in Addeepted, the label of the great Gaston Zani and starting a new learning project with MBA (Music Business Academy) where they will teach him to take his professional career to another level by learning the ins and outs of this great industry of the most professional and trained in the sector. #soberbius #itunes #soundcloud #ivoox #tunein #mixcloud #playerfm #googlepodcast #deezer #creatingculture #tellingstories #anotherconcept #letyourselfgo #podcast #electronicmusic #house #techhouse #progressivehouse #melodictechno #indiedance #nudisco #italodisco #techno #deep #dj #producer #culturemusic