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Lady Barbarina by Henry James (1843 - 1916)

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When? This feed was archived on July 07, 2021 14:10 (3+ y ago). Last successful fetch was on February 14, 2021 11:10 (3+ y ago)

Why? Feed inactivo status. Nuestros servidores no pudieron recuperar un podcast válido durante un período sostenido.

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

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Contenido proporcionado por LibriVox. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente LibriVox o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
Rich and beautiful American girls heading to England to find themselves noble titles through marriage, and using their New World wealth to prop up the waning strength of the aristocracy, was almost a staple of late Victorian literature. "The Buccaneers," Edith Wharton called them, and their day is not over yet (think of Downton Abbey's Earl of Grantham, and his American heiress countess). In Lady Barbarina, however, Henry James explores the obverse of this old tale: what if the wealth is in the hands of an American man, in love with the beautiful daughter of an old and titled (but no longer so very rich) family? Legal marital settlements, common in England, less so in America, can be a problem. Think of them as the Victorian equivalent of modern pre-nuptial contracts, introducing a note, not of suspicion perhaps, but of cautious prudence in what otherwise might be seen as a match of pure love. For all their similarities, Britain and the United States remain divided by three thousand miles of open water. - Summary by Nicholas Clifford
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6 episodios

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Series guardadas ("Feed inactivo" status)

When? This feed was archived on July 07, 2021 14:10 (3+ y ago). Last successful fetch was on February 14, 2021 11:10 (3+ y ago)

Why? Feed inactivo status. Nuestros servidores no pudieron recuperar un podcast válido durante un período sostenido.

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage series 78431
Contenido proporcionado por LibriVox. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente LibriVox o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
Rich and beautiful American girls heading to England to find themselves noble titles through marriage, and using their New World wealth to prop up the waning strength of the aristocracy, was almost a staple of late Victorian literature. "The Buccaneers," Edith Wharton called them, and their day is not over yet (think of Downton Abbey's Earl of Grantham, and his American heiress countess). In Lady Barbarina, however, Henry James explores the obverse of this old tale: what if the wealth is in the hands of an American man, in love with the beautiful daughter of an old and titled (but no longer so very rich) family? Legal marital settlements, common in England, less so in America, can be a problem. Think of them as the Victorian equivalent of modern pre-nuptial contracts, introducing a note, not of suspicion perhaps, but of cautious prudence in what otherwise might be seen as a match of pure love. For all their similarities, Britain and the United States remain divided by three thousand miles of open water. - Summary by Nicholas Clifford
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6 episodios

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