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Contenido proporcionado por European Space Agency. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente European Space Agency o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
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“That's taxpayer’s money that is going to support research and development and pilot projects to develop a food system that is based on environmental destruction and greed and disregard for animals, fish, and any of the other marine mammals that might be around it.” - Andrianna Natsoulas Andrianna Natsoulas is the campaign director for Don't Cage Our Oceans, an organization that exists to keep our oceans free from industrial fish farms. Offshore finfish farming is the mass cultivation of finfish in marine waters, in underwater or floating net pens, pods, and cages. Offshore finfish farms are factory farms that harm public health, the environment, and local communities and economies that rely on the ocean and its resources. Don’t Cage Our Oceans are a coalition of diverse organizations working together to stop the development of offshore finfish farming in the United States through federal law, policies, and coalition building. And, although it is not yet happening, right now the US Administration and Congress are promoting this kind of farming, which would be nothing short of disastrous for the oceans, the planet and the people and animals who live here. dontcageouroceans.org…
ESA - European Space Agency
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Contenido proporcionado por European Space Agency. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente European Space Agency o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
Official SoundCloud channel of ESA - the European Space Agency. Most (not all) audio content here is licensed under CC BY-SA IGO 3.0. Please check individual credits to be certain. Can't find a track? Our channel used to be http://www.soundcloud.com/esaops - but not anymore. Try searching here for the track name or using keywords instead.
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163 episodios
Marcar todo como (no) reproducido ...
Manage series 3380504
Contenido proporcionado por European Space Agency. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente European Space Agency o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
Official SoundCloud channel of ESA - the European Space Agency. Most (not all) audio content here is licensed under CC BY-SA IGO 3.0. Please check individual credits to be certain. Can't find a track? Our channel used to be http://www.soundcloud.com/esaops - but not anymore. Try searching here for the track name or using keywords instead.
…
continue reading
163 episodios
Todos los episodios
×Listen to the ESA/JAXA BepiColombo spacecraft as it flew past Mercury on 8 January 2025. This sixth and final flyby used the little planet's gravity to steer the spacecraft on course for entering orbit around Mercury in 2026. What you can hear in the sonification soundtrack of this video are real spacecraft vibrations measured by the Italian Spring Accelerometer (ISA) instrument. The accelerometer data have been shifted in frequency to make them audible to human ears – one hour of measurements have been sped up to around one minute of sound. Sonification by Carmelo Magnafico (IAPS/INAF). Watch the video: https://www.esa.int/ESA_Multimedia/Videos/2025/01/The_sounds_of_BepiColombo_s_sixth_flight_past_Mercury…
ESA's Euclid space telescope is creating the largest 3D-map ever made of our Universe, to study the most mysterious cosmic components: dark matter and dark energy. While scanning the sky, Euclid snapped a breathtaking image of Messier 78, a vibrant nursery of star formation. This audio is a sonification of the image, where the twinkling sounds represent the galaxies and stars in the frame. The steady undertone rising and falling in the background corresponds to the swathes of interstellar dust in the image. Sound design: Klaus Nielsen (@maplepools) Image: ESA/Euclid/Euclid Consortium/NASA, image processing by J.-C. Cuillandre (CEA Paris-Saclay) and G. Anselmi Watch the video: https://www.esa.int/ESA_Multimedia/Videos/2024/12/Cosmic_jingles_listen_to_Euclid_s_image_of_M78…
The ESA-led Solar Orbiter mission has been keeping a close eye on the Sun for more than three years, witnessing it becoming increasingly active as it approaches the peak in the 11-year solar cycle. This audio is a sonification based on the detected flares and the spacecraft's distance to the Sun. This audio is a sonification based on the detected flares (metallic clinks) and the spacecraft's distance to the Sun (background hum). Sound design: Klaus Nielsen (@maplepools) Image: ESA & NASA/Solar Orbiter/EUI Team Watch the video: https://www.esa.int/ESA_Multimedia/Videos/2024/12/See_and_hear_three_years_of_solar_fireworks…
The pre-launch roll call for the launch of the Copernicus Sentinel-1C satellite at ESA's ESOC mission control centre
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ESA - European Space Agency

Proba-3 RollCall by European Space Agency
Hera pre-launch Roll Call by European Space Agency
All stations reporting in at the European Space Agency's European Spacecraft Operations Centre prior to the launch of the EU Copernicus Sentinel-2C Earth observation satellite on 5 September 2024.
EarthCARE Operations Director, Jose Morales, completes the final GO/NO GO RollCall before ESA's cloud and aerosol mission is launched from Vandenberg Space Force Base in California on 29 May 2024. Mission Control is GO for launch.
ESA’s Earth Explorer Aeolus satellite was launched in August 2018 on a trailblazing mission to show how profiling Earth’s winds from space can improve weather forecasts and climate models. Marking the end of Aeolus’ remarkable mission, ESA worked with composer Jamie Perera to create a woodwind piece from data that spanned the lifetime of the satellite’s life in orbit around Earth. In the resulting orchestral piece, every second is a day in the life of Aeolus, with data represented by the following instruments: Piccolo: Rayleigh Top Altitude (the tops of clouds) Flute: Rayleigh Observation Type (density of clouds) Oboe: Rayleigh Reference Temperature (wind temperature) Clarinet 1: Rayleigh Wind Velocity (wind velocity) Clarinet 2: Rayleigh Wind Reference Pressure (air pressure) Bassoon/Bass Clarinet: Rayleigh Bottom Altitude (Earth’s surface) Ambient Synth: Validity Flag 0 (Aeolus downtime) You can also hear landmark events such as volcanic eruptions represented by drums, hurricanes represented by wind sound effects, and the Coronavirus pandemic represented by a pulsing synth. Read the full story: https://www.esa.int/Applications/Observing_the_Earth/FutureEO/Aeolus/The_sound_of_Aeolus_will_blow_you_away Download the full performance guide: https://esamultimedia.esa.int/docs/EarthObservation/Life-of-Aeolus-Performance-Guide.pdf Credits: @jamieperera (2023). Used by permission. Data and guidance provided by Daniel Santillan; sonification programming by Adrian Lewis…
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ESA - European Space Agency

Euclid Operations Director, Andreas Rudolph, completes the final GO/NO GO RollCall before ESA's cosmic detective is launched from Cape Canaveral on 1 July, to discover the secrets of the dark Universe. Mission Control is GO for launch.
Listen to the eerie sound of a boom on board ESA’s Jupiter Icy Moons Explorer (Juice) spacecraft deploying in space during commissioning of the spacecraft in May 2023. Tip: use headphones or surround speakers for the best experience – the forward and backward wobbles of the boom come through the left and right channels. The vibration signal used to create the sound came from the accelerometer on board the main body of the spacecraft, which was switched on to monitor the reaction of the spacecraft to the boom’s deployment. The larger the vibration measured by the accelerometer, the louder the sound in the sonification. We can imagine the boom like a human arm initially folded into the body; the first higher-pitched ‘ring’ that you hear is the elbow opening and the second lower-pitched ring is the shoulder stretching up. Though the accelerometer measurements were not mandatory to validate the deployment, the engineers working on Juice were happy to see that they are very accurate. Turning the vibration signal into sound may help us understand the mechanics of the deployment. The boom is one of four 'Langmuir probes' that are part of Juice's Radio & Plasma Wave Investigation experiment. These probes will provide crucial information on the electric fields and plasma environment around Jupiter's moons. The sonification was prepared by Johannes Z. D. Mieth (TU Braunschweig) and Willi Exner (ESA). #ESAJuice #Jupiter #ESA #EuropeanSpaceAgency…
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ESA - European Space Agency

Juice Operations Director, Andrea Accomazzo, completes the final GO/NO GO RollCall before ESA's Jupiter Icy Moons Explorer lifts-off on an Ariane 5 from Europe's Spaceport in Kourou on 14 April. Mission Control is GO for launch.
One year ago, the Hunga Tonga-Hunga Ha’apai volcano erupted, causing widespread destruction to the Pacific Island Nation of Tonga. It spewed volcanic material up to 58 km into the atmosphere, brought a nearly 15 m tsunami that crashed ashore, destroying villages, and created a sonic boom that rippled around the world – twice. Even one year on, interest in the extraordinary explosive eruption remains. A sound artist has recently recreated the sonification of the underwater volcanic eruption using rayleigh signal intensity data provided by the Aeolus Virtual Research Environment platform. Using wind data obtained on one of its overpasses over the ash cloud of the Hunga Tonga explosion, Jamie Perera used an audio sample of one of the shock waves, time-stretched it into a ghostly tone, and assigned it to harmonic values transcribed from 90 Aeolus readings taken over a duration of approximately 15 minutes. The listener hears one reading every two seconds, in a harmonic range that spans six piano octaves, the highest of which can be heard at around 01:18 minutes when the readings show the eruption’s dust plume at its highest peak (over 20.5 km). The artistic intention behind the sonification was to evoke the otherworldly landscape of Hunga Tonga and other volcanoes. Sonification credit/copyright: @jamieperera (2023). Used by permission. Data and guidance provided by Daniel Santillan. Thanks to Peter Bickerton and Jemma Foster. Originally created as part of Wild Alchemy Journal - Air Edition - Aeolus…
Despite being essential to life on Earth, the magnetic field isn’t something we can actually see in itself, or ever hear. But, remarkably, scientists at the Technical University of Denmark have taken magnetic signals measured by ESA’s Swarm satellite mission and converted them into sound – and for something that protects us, the result is pretty scary. Sound design & concept: Klaus Nielsen (https://soundcloud.com/maplepools) and Nikolai Linden-Vörnle (https://soundcloud.com/kamikaze_vildsvin) Image by Crimson Sound (https://soundcloud.com/crimson-sound-483379629) Read the full story: https://www.esa.int/Applications/Observing_the_Earth/FutureEO/Swarm/The_scary_sound_of_Earth_s_magnetic_field…
Voice of Alexander Schmid, Eumetsat Programme Manager
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