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Sonnet 108: What's in the Brain That Ink May Character

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Manage episode 451748458 series 3415878
Contenido proporcionado por Sebastian Michael. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Sebastian Michael o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.

With Sonnet 108, William Shakespeare loops back into sentiments expressed intermittently since Sonnet 76, but particularly again recently in Sonnet 105: I have essentially said it all, there is nothing I can do other than repeat and reiterate and rephrase the praises I have sung and continue to sing for you. What it also picks up from Sonnet 105 is the religious tone this set with a there still fairly oblique reference to the Holy Trinity. This was already amplified, though subtly, in Sonnet 106, and here finds a whole new level of what may potentially be perceived as impudence, if looked on from a devoutly religious perspective.
What it also does – and this may in some respects for our observation be most directly relevant – is to tell his young lover yet again that he is showing signs of age, but that to him, Shakespeare, this doesn't matter.

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119 episodios

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Manage episode 451748458 series 3415878
Contenido proporcionado por Sebastian Michael. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Sebastian Michael o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.

With Sonnet 108, William Shakespeare loops back into sentiments expressed intermittently since Sonnet 76, but particularly again recently in Sonnet 105: I have essentially said it all, there is nothing I can do other than repeat and reiterate and rephrase the praises I have sung and continue to sing for you. What it also picks up from Sonnet 105 is the religious tone this set with a there still fairly oblique reference to the Holy Trinity. This was already amplified, though subtly, in Sonnet 106, and here finds a whole new level of what may potentially be perceived as impudence, if looked on from a devoutly religious perspective.
What it also does – and this may in some respects for our observation be most directly relevant – is to tell his young lover yet again that he is showing signs of age, but that to him, Shakespeare, this doesn't matter.

  continue reading

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