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Lost in Criterion

Lost in Criterion

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The Adam Glass and John Patrick Owatari-Dorgan attempt the sisyphean task of watching every movie in the ever-growing Criterion Collection. Want to support us? We’ll love you for it: www.Patreon.com/LostInCriterion
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How do we disrupt the entrenched power dynamics in finance to advance a more equitable future? Join us for the Criterion Institute Podcast as Joy Anderson, a global thought leader in business and social change, leads us through a series of discussions, interviews, frameworks, rants, and re-frames that will help you better understand how to use finance as a tool for transformative systems change. Learn more by visiting us at www.criterioninstitute.org.
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The Criterion Collection is an ever-growing roster of movies deemed internationally significant on an artistic level. Each new film added to the collection is given a Spine Number, making any film NOT in the collection: SPINELESS. Join Nick and Brennan (your very-favorite SPINELESS BOYS) as they cover the classic and contemporary films they feel are most deserving of the Criterion treatment.
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Criterion Now

CriterionCast

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A current rundown of the world of Criterion with a round table of guests. We talk about new and upcoming releases, what's happening on FilmStruck, and other related topics related to the Criterion Collection.
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With the start of the Criterion Channel, Rachel Wagner and Conrado Falco thought it would be fun, once a month, to talk about a film offered there. Support this podcast: https://podcasters.spotify.com/pod/show/criterionproject/support
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My Criterions

Bil Antoniou

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Podcaster Bil Antoniou of BGM: Bad Gay Movies Bitchy Gay Men goes through his Criterions and talks about the movies and the memories they inspire, along the way chatting with a few friends. This podcast is not affiliated with the Criterion Collection and no copyright infringement is intended.
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The Criterion CULT Podcast is a film podcast with hosts Jordan Garcia and Armando Arvizu. Each week the CULT discusses and reviews two films. A film from the Criterion Collection and one film one of our hosts feel is worthy of the Criterion Collection label. Then the others vote the film in or out.
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Surprisingly Criterion

Surprisingly Criterion

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Surprisingly Criterion - the podcast where we select and talk about the films that we’re surprised are a part of the Criterion Collection, and the films we can’t believe are not! The Criterion Collection brands itself as a depository of important classic and contemporary films for film aficionados. Their collection features over a 1000 movies and counting! Surely all of these can’t be important, can they? What does 'important' even mean!
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Welcome to the Criterion Correction! In this podcast, we'll be delving into the Criterion Collection of films to try and figure out what each says about the craft of cinema and what, exactly, it takes to become part of the collection. Join us for rousing conversation and many, many references to geekery and film culture.
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Brave film explorer comrades Joey Reinisch and Chris McCaleb journey to far the reaches of cinema. In each mission, they will analyze, report and criticize a film from THE CRITERION COLLECTION, hopefully maintaining their sanity in the presence of extreme motion picture brilliance...or something.
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In 1925 Charlie Chaplin released the highest grossing silent film of all time, The Gold Rush, a tale of desperate men fighting the harsh elements to chase the American Dream: getting rich through extractive capitalism. Chaplin is certainly capable of political film (see The Great Dictator or Modern Times) but also the Tramp is a political character…
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In this episode, Joy chats with Dr. Ola Brown, a leader in gender lens investing and healthcare innovation in Africa. They discuss Dr. Brown's journey from emergency medicine to founding Africa's largest emergency services company and her current work in venture capital focused on empowering women and addressing systemic barriers in finance. The co…
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Hey. Y'all folks like Buffy?Podcast's intro song 'Here Come the Creeps' performed by Souless AI Software SUNO, written by Ugly Cry Club.Like us on Facebook!www.facebook.com/criterioncreeps/Follow us on that Twitter!twitter.com/criterioncreepsFollow us on Instagram!instagram.com/criterioncreepsWe've got a Patreon too, if you are so inclined to see t…
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Brennan, one-half of Your Very Favorite Spineless Boys™️, is here on his week off to introduce you to the all-new Spineless Substack! Featuring bonus essays and articles, the Substack will serve as auxiliary content on the weeks off, and elaborate on certain themes and ideas introduced in each episode. They’ll also tease what we’ll be covering on t…
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Ingmar Bergman's Summer with Monika (1953) was very popular in the US, due in large part to distributor Kroger Babb's cutting over half an hour and adding a lot of nudity to it. Criterion doesn't give us Babb's cut, but I guess they gotta save something for the bluray upgrade. It's an interesting enough early Bergman, with the director moving throu…
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All y'all folks like Buffy?Podcast's intro song 'Here Come the Creeps' performed by Souless AI Software SUNO, written by Ugly Cry Club.Like us on Facebook!www.facebook.com/criterioncreeps/Follow us on that Twitter!twitter.com/criterioncreepsFollow us on Instagram!instagram.com/criterioncreepsWe've got a Patreon too, if you are so inclined to see th…
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We love each other so much. On this week’s episode of SPINELESS, Nick and Brennan relive fond memories (for Nick, at least) of seeing the film together at IFC, discuss how Baby Annette is just a baby after all, and debate the merits of Diana: The Musical. Nick brings up the film MAESTRO for the first time in the history of the podcast, but it certa…
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Our earliest Ingmar Bergman film yet, Summer Interlude (1951) is a story of young love and internalized trauma. It also may be one of the earliest films we've seen where a manipulative groomer's actions are actually shown to be bad? In any case, it's Bergman before he's really BERGMAN, but well on his way to it; taking steps to assemble the troupe …
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In this episode, Joy discusses how to reimagine investments to support a future of equality. She explores the Core Pillar of the Criterion Institute's Strategic Plan: Value the Future of Equality, and the importance of recognizing the potential of social change organizations. Joy also highlights the need for investment methodologies that name and v…
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Abbas Kiarostami is a man who understands the intimacy of a conversation in the front seat of a car. While Taste of Cherry (1997), which we watch way back at Spine 45 is the pinnacle of that truth, Certified Copy (2010) has plenty of driving and talking before it settles into sight seeing and talking. To keep things interesting, Certified Copy is a…
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*crying and singing*Podcast's intro song 'Here Come the Creeps' performed by Souless AI Software SUNO, written by Ugly Cry Club.Like us on Facebook!www.facebook.com/criterioncreeps/Follow us on that Twitter!twitter.com/criterioncreepsFollow us on Instagram!instagram.com/criterioncreepsWe've got a Patreon too, if you are so inclined to see this podc…
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What do you call a really good film that’s not Criterion yet? On the inaugural episode of SPINELESS, your fearless hosts Nick and Brennan venture into the sweaty, sweaty jungle to discuss William Friedkin’s 1977 film SORCERER! Pack up your dynamite and drive reeeeaaalllll slow as we discuss the career of the late Mr. Friedkin, the troubled producti…
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Charlie Kaufman's screenwriting and Spike Jonze's directorial debuts, Being John Malkovich is a delightfully weird story of identity. Lotte (Cameron Diaz)'s storyline is particularly compelling, with Lotte experiencing gender euphoria as Malkovich, whereas our other main characters want to use Malkovich for patriarchal power, through fame or immort…
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In this episode, Joy discusses the Criterion Institute's paper "Disrupting Fields", and the power dynamics that shape the development of ecosystems and fields of thought. She firstly introduces the idea of a 'thinking all the thoughts' document as a way to explore ideas and create frameworks when writing a paper of this kind. Joy then explores the …
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ALCOHOL!Podcast's intro song 'Here Come the Creeps' performed by Souless AI Software SUNO, written by Ugly Cry Club.Like us on Facebook!www.facebook.com/criterioncreeps/Follow us on that Twitter!twitter.com/criterioncreepsFollow us on Instagram!instagram.com/criterioncreepsWe've got a Patreon too, if you are so inclined to see this podcast continue…
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In their ongoing journey through the Criterion decades, Mike and Justin have finally arrived at the 1930's. The winner of the listen poll was Orson Welles' Citizen Kane (Spine #1104). Also, Mike talks about Alien Romulus, while Justin catches up on the prequels Prometheus and Alien Covenant. - Intro - News on the March! (00:03:01) - Alien Romulus (…
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Mario Monicelli's The Organizer's title, like De Sica's Bicycle Thieves 15 years before it, had its title senselessly singularized for English release. The original title I compagni means "The Comrades" and is a bit more indicative of the ensemble organizing that is going on here. The story of a late 19th century textile mill strike, The Organizer …
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Canadian CinemaPodcast's intro song 'Here Come the Creeps' performed by Souless AI Software SUNO, written by Ugly Cry Club.Like us on Facebook!www.facebook.com/criterioncreeps/Follow us on that Twitter!twitter.com/criterioncreepsFollow us on Instagram!instagram.com/criterioncreepsWe've got a Patreon too, if you are so inclined to see this podcast c…
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In 1973 Robert M. Young made Children of the Fields, a short documentary about a family of Polo Galindo, migrant farm workers in the Southwest US including his young children living, a transient life as exploited laborers. Galindo opened Young's eyes not only to his and his family's plight, but to the struggles of an even lower rung: undocumented m…
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In their journey through the Criterion decades, Mike and Justin are reporting from the 1940s to give account of the big carnival that is Billy Wilder's Ace In The Hole (Spine #396)! However, before that, Mike gives his thoughts on A Quiet Place: Day One and, now that Mike has seen it, they revisit M. Night Shyamalan's Trap for a deeper discussion. …
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This episode focuses on the Core Pillar of the Criterion Institute's Strategic Plan: 'Invite Financial Imagination'. Joy explores the reasons behind this pillar, the importance of inviting a financial imagination, and the concept of a feminist financial imagination. The episode also highlights the need for social change leaders to be at the centre …
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In their countodwn through the Criterion Collection decades, Mike and Justin have come to the 1960s, where the people have voted for us to watch the Bob Dylan documentary Don't Look Book (Spine #786). However, before that, they talk about Trap and the classic western McCabe and Mrs Miller. - Intro (00:00:00 - 00:02:37) - News on the March! (00:02:3…
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Written by Colin Higgins and directed by Hal Ashby, scored by Yusuf Islam (Cat Stevens), Harold and Maude is a wonderful piece of counter-culture from early New Hollywood, and honestly, a better ode to freedom than most of what came out of the "America Lost and Found: The BBS Story" boxset of foundational New Hollywood works we watched a few months…
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"AhH, the French!"Podcast's intro song 'Here Come the Creeps' performed by Souless AI Software SUNO, written by Ugly Cry Club.Like us on Facebook!www.facebook.com/criterioncreeps/Follow us on that Twitter!twitter.com/criterioncreepsFollow us on Instagram!instagram.com/criterioncreepsWe've got a Patreon too, if you are so inclined to see this podcas…
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We finish up A Hollis Frampton Odyssey this week, covering work from his Magellan cycle, a massive project Frampton was working on when he died. While previously discussed works like (nostalgia) show Frampton's ironic detachment, Magellan melds the history of film and Frampton's life story in a way that feels sentimental. These works also often see…
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In this episode, Joy Anderson reflects on her journey to the US SIF conference and receiving the Joan Bavaria Award. She discusses the collaboration between herself, Jackie VanderBrug, and the late Suzanne Biegel in building the field of gender lens investing. The episode highlights the importance of radical collaboration, the challenges faced in i…
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